All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Continuing with the label's focus on mainstream jazz guitar, Hans and Sabine Nagel-Heyer tap the local German talent pool and discover a quiet geyser in Joachim Schoenecker.
Joachim Schoenecker is not exactly a household name. In fact, it is a vowel-pregnant German mouthful. But his playing is not. In the Moment is a collection of band originals, save Ellington's "Day Dream", and Schoenecker proves his stones equally on acoustic and electric guitars. Label regulars John Goldsby on bass (who is about to release his own Viewpoint, NH 2014) and the ubiquitous Adam Nussbaum join him for a quietly swinging ministry of guitar jazz. But that is not all. Schoenecker shares the limelight with multi-reedist Chris Potter, who adds his special touch to this exceptional release.
The disc opens with "Better than Words", a gentle ballad highlighted by Schoenecker's acoustic playing and Nussbaum's sandy brushwork. Potter adds his soprano stamp on "Taxi of the Desert" and his tenor on " Night Out ". Schoenecker pays tribute to Pat Martino, a considerable influence, on "Dry Martino". A ballad taken at a languid pace, "Martino" is another sandy walk for Nussbaum and Goldsby. In the Moment is a relaxed outing by a talent who has been hiding his light beneath a basket. Super mainstream jazz guitar playing with the talent of Chris potter to boot.
Track Listing: Better Than Words; Taxi In The Desert; Analog Guy; Dawn; Day Dream; Do You Remember Me; De Haan; Night Out; Dry Martino; Three. (Total Time: 63:46)
Personnel: Joachim Schoenecker: Guitars; Chris Potter: Saxophones; John Goldsby: Bass; Adam Nussbaum: Drums.
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...