Jorge Sylvester Afro-Caribbean Experimental Trio: In the Ear of the Beholder

AAJ Staff By

Sign in to view read count
Jazz artists often approach Afro-Caribbean music from a reductionist rhythmic standpoint, neglecting the richness of the tradition. But Jorge Sylvester takes care to present the whole picture on In the Ear of the Beholder. Taking various Afro-Caribbean styles and paring them down to a raw trio format (sax/bass/drums), he compels each player to bring something unique to the mix.

Much of the improvisation on In the Ear explores individual traditional styles in step-by-step fashion. "Tambor—The Mix," for example, works its way through theme and variations, emphasizing Afro-Brazilian rhythms. Sylvester's saxophone voice pursues tangents off of a tonal center, gradually evolving with the bass and drums in and out of moments of sheer pulsing energy. Toward the end of the piece, the three musicians emerge into raw three-way polyrhythm. Subsequent tunes incorporate ideas from traditional Panamanian, Mexican, Afro-Cuban, Jamaican, and Afro-American music. The most notable thread running through all these pieces is a surprising fluidity of motion: while the trio may explore odd meters or complex melodic interaction, the overall "feel" remains unswervingly organic.

As a true hybrid of traditions, the music on In the Ear also incorporates a healthy dose of North American ("Afro-American") influence as well. Particularly in the more involved saxophone improvisations, hints of Getz, Rollins, and Coltrane appear. "King's Highway" operates around of a Pastorius-inspired bass line. Thus the trio expounds its self-proclaimed "experimental" edge. And as a consequence, the music is hardly easy listening. It's propulsive and dynamic, but also quite intellectually involved. There is no easy classification, no simple reductionism, and nothing primitive about In the Ear of the Beholder.

Track Listing: Tambor--The Mix; Sly Mangoose; Coraz

Personnel: Jorge Sylvester: alto saxophone, hand claps, voice, cuica voice effect, maracas, and cow bell; Donald Nicks: electric bass guitar and fretless bass guitar; Bobby Sanabria: drums and bells.

Title: In the Ear of the Beholder | Year Released: 2001 | Record Label: Jazz Magnet Records


comments powered by Disqus

More Articles

Read "Steal Your Heart" CD/LP/Track Review Steal Your Heart
by C. Michael Bailey
Published: July 2, 2017
Read "Meeting At The Parting Place" CD/LP/Track Review Meeting At The Parting Place
by Dave Wayne
Published: October 1, 2016
Read "Reimagined" CD/LP/Track Review Reimagined
by Mark Sullivan
Published: July 8, 2017
Read "Shipwreck 4" CD/LP/Track Review Shipwreck 4
by Glenn Astarita
Published: October 13, 2016
Read "Live At The Cota Jazz Festival" CD/LP/Track Review Live At The Cota Jazz Festival
by Dan McClenaghan
Published: July 11, 2017
Read "Clockwise / The Music of Cedar Walton" CD/LP/Track Review Clockwise / The Music of Cedar Walton
by Jack Bowers
Published: March 11, 2017

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.