All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Heavenlyif not very far outsextet sides are Planet Jazz's saucer of well-steeped black tea. Just the bracing tonic one might expect from Sharp Nine, purveyor of intelligence and taste in small-band jazz for a decade.
From the first tightly scored, three-voiced chorus, which swings smoothly through drum breaks on a tune waggishly entitled "Mommy, Mommy No!, you can tell there's some underlying story here, and it happens to go beyond the weird titles. In this case, the group is a band formed by and playing in memory of its original founder, drummer Johnny Ellis. Ellis' original charts manifest a blend of creative tension with forward drive. Three relaxed tracks are well-borrowed from various erasa melodic Latin-esque groove by trumpeter Charlie Shavers ("Dawn on the Desert ), written for the similarly provocative chamber-jazz John Kirby Sextet; pianist Hampton Hawes' pleasing chromatic waltz "Sonora ; and the closing easygoing blues collaboration by Ellington/Hodges ("Dual Highway ).
These delicately filigreed ensembles spin out with the brilliant tensile strength of platinum wire; solos are succinct and retro (read: timeless, not faceless), yet informed and impassioned. Planet Jazz is foremost a well-oiled ensemble, secondarily a vehicle for soloists, who do their level best to buoy and sustain the admirably crafted pieces. Why not? The sextet has been a unit since 1991the lone replacement being drummer Joe Strasser for Ellis, who died too young at 44 in 1999.
This release smacks not of "memorial": the playing is blithe and upbeat, and Ellis' zoomorphic preoccupation with quadrupeds underlines the wacky, carefree moods evoked in his dreamy yet grounded charts. Beautifully done!
Track Listing: Mommy, Mommy No!; Buttermouse; The Cow Is Now; The Lemur is a Dreamer; Dawn on the Desert; The Squirrel is a Girl; Sonora; Dual Highway.
Personnel: Grant Stewart: tenor saxophone; Joe Magnarelli: trumpet, flugelhorn; Peter Bernstein: guitar; Spike Wilner: piano; Neal Miner: bass; Joe Strasser: drums.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.