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The third album from this Finnish, drummer led quintet is something of a departure from its predecessors, not in its participants, its ethos nor its strong visual imagery, but in the balance between the components. With only occasional use of powerful rhythm, both earlier albums bore a sparse and principally acoustic feel on the long, even rambling, instrumental pieces.
The development of guitarist Lasse Sakara's taste in electronics may help explain the current change, although the credits are again all (but one) ascribed to the leader Olavi Louhivuori , whose musicality obviously extends beyond his drumkit. As before, in the final mix his band members have a far more prominent role than he does, making for luscious harmonies between cello, trombone and synth. The feeling is again predominantly sparse, but the colours are more treated than before. However when the vista and volume open up, as on many tracks they do, it feels more than expansive.
Indeed the overall lugubriousness and echoing lead lines sound distinctly progey in places, pushing the limits of ethno-jazz into which category the band normally have been squeezed. Comparisons with Sigur Ros as well as Ennio Morricone have been made with justification too but, as the live reviews suggest, this band have a flexbility that makes the album content broader than might be expected.
Lacking any liner notes, the inspiration for the tracks remains opaque but one can assume certain cinematographic sources. The Finnish roots suggest bare polar landscapes, and names such as "Cultivate and Contemplate" confirm the introspective mode. This and the following "Journey" both come in at over 11 minutes so, like its predecessors, it is an album to be savoured before swallowing.
Track Listing: Introducing; Self-portrait; Missing Tapes from a Highway Set; The Sage;
Cultivate & Contemplate; Journey; Quiet Steps.
Personnel: Olavi Louhivuori:drums, composer; Ilmari Pohjonen:trombone; Osmo
Ikonen:cello; Lasse Sakara:guitar; Lasse Lindgren:bass.
I love jazz because it mixes intellect and emotion in a very spontaneous way.
I was first exposed to jazz by liberating a Coltrane and a Pharoah Sanders record from a friend in NYC and listening to them over and over until I got it.
My advice to new listeners is you have to take the time to listen to some jazz tunes a number of times until it starts to make sense.