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Vocalist Gretchen Parlato is part Bobby McFerrin, part Theo Bleckmann, and David Binney. All men, yes. Parlato's voice is light as an apparition, ethereal and implied. She is fond of vocal gymnastics as is McFerrin. She shares a sense of humor in art with Bleckmann and a musical adventurousness with Binney. In A Dream is the recording Chet Baker would have made, had he been a woman. Both vocalists share an opaqueness in an otherwise transparent instrument.
Duke Ellington's "Azure" is a suitable vehicle for Parlato. It is one of Ellington's lighter pieces, one well-crafted for delicate voices like Parlato's. She delivers the lyrics in a breathy whir over Lionel Loueke's acoustic guitar. The neighborhood is vaguely Latin. Derrick Hodge's brief bass solo adds an organically integrated element to the piece, recalling the instrumentation favored by singer Cassandra Wilson. Much has been made of Gretchen Parlato, and for good reason.
I love jazz because it's so different than pop and has an emotional pull that other music does not have.
I was first exposed to jazz when I saw Dave Brubeck in 1974.
The first jazz record I bought was Bitches Brew by Miles Davis.