French keyboardist Cyrille 'Clearlight' Verdeaux's 1974 issued Clearlight Symphony is purportedly a venerated gem by many progressive rock enthusiasts. Here, the artist celebrates the 40th anniversary of the initial release with a new venture, featuring the original cast of GONG band-mates, Steve Hillage (guitar), Tim Blake (synth, Theremin) and Didier Malherbe (reeds). Verdeaux asked the trio to reunite for this new symphonic impressionist rock project. Prominent prog artists such as Paul Sears (drums) of The Muffins and other notables lend their faculties on an album that offers a transparent and rather symmetrical fusion of classical music and rock, outlined with impressionism, paintings and inspiration gleaned from classical masters, Satie, Debussy and Ravel.
Verdeaux's classical artistry emits a prismatic aura, and as you get deeper into the programlargely consisting of flourishing symphonic worksa consortium of striking melodies blossom. Malherbe's flute work on "Time is Monet," rides above strings, synths and Craig Fry's regal violin phrasings, propelled with a blast of fresh air that signals the wit and whimsy of Britain's fabled 1970s Canterbury scene. Moreover, the band reshapes the momentum into a warmhearted environ, hued with a stunning melody propagated by Verdeaux's cascading notes. But the following piece "Pissarro King," casts a conspicuous deviation amid Hillage's resonating licks and a pulsating rock groove, dappled by Blake's spurting synth lines. Other works contain overlapping electronics effects, eddying thematic developments, thriving prog-classical buildups and memorable hooks. Hence, Verdeaux's translucent unification of classical music and rock is a gratifying listening experience, augmented with harmonious accord and the artists' scintillating interplay.
Track Listing: Renoir En Couleur; Time Is Monet; Pissarro King; Degas De La Marine; Van Gogh 3rd Ear; Gauguin Dans L’Autre; Lautrec Too Loose; Monet Time Duet.
Personnel: Cyrille Verdeaux: piano, synthesizers; Didier Malherbe: wind instruments; Craig Fry: violin; Vincent Thomas Penny: guitars; Paul Sears: drums, percussion; Linda Cushma: bass; Chris Kovacks: synthesizers; Remy Tran: synthesizers; Steve Hillage: guitars; Tim Blake: XILs synth, Theremin; Neil Bettencourt: drums; Don Falcone: tubular bells; Christophe Kovax: lead synthesizer; Remy Tran: cosmic synthesizer.
I love jazz because it's sophisticated, international, atmospheric yet free, cool and warm.
I was first exposed to jazz through the sultry voice and flawless swing of my mother.
I met Mark Murphy, David Linx, Kurt Elling, and Youn Sun Nah.
The best show I ever attended was Youn Sun Nah in Paris.
The first jazz record I bought was Native Dancer by Wayne Shorter and Milton Nascimento
My advice to new listeners: open your mind and your ears, forget about structure, feel the textures.
Go see live music and keep buying CDs!