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Grammy-nominated pianist Bill Cunliffe loves a good melody. He's recorded a couple of sets of Reed Kotler's beautifully lyrical tunes, most recently Tomo (Torii, '05). With his latest offering, Imaginacion, the pianist/arranger wraps some melodieshis own and a few classicsin a strong Latin vibe.
The expanded lineup, featuring two trombones, two trumpets, and a reed player, plus piano and bass, along with three percussionists, offers more harmonic possiblities, and Cunliffe has a genius in this arena, crafting lush washes of sound over the percolating percussion.
Five of the tunes here are Cunliffe originals, and the covers are well-chosen: Steely Dan's "Do It Again," the American Songbook classic "How High The Moon," and a gorgeously cool take on Irving Berlin's "Heat Wave," featuring the gentle freon caress of Bob Shepard's flute worka highlight for this listener. And of course, there's a Reed Kotler tune (Kotler produced the disc): the spicy closer, "Flying High." The Cunliffe-penned "Chucho" (for Cuban piano great Chucho Valdes, a logical guess), cooks with one fine solo after anothera trumpet soaring out of horn interplay, then Bob Shepard's tangy soprano sax, followed by a belt-it-out trombone turn, overalwaysthe ebullient percussion.
This is the type of recording that earns Grammy nodsbeautiful and perfectly crafted tunes without a weak spot to be found. Perhaps the next review of a Bill Cunliffe record will say "Grammy Award-winner" on it.
Track Listing: El Optimista, Do it Again, Bone Crusher, Afluencia, Chucho, Havana, Heat Wave, How High the Moon, Pure Imagination, Flying High
Personnel: Bill Cunliffe--piano, arranger; Bob Shepard--sax, flute; Bobby Shew, Kye Palmer--trumpet; Bruce Paulson, Arturo Velasco--trombone; Rene Camacho--bass; Joey De Leon, Jose "Papo" Rodriquez--percussion; Ramon Banda--drums
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.