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Fifteen years as a cab driver in New Orleans gave Mem Shannon the experience that he needed to communicate effectively with his audience. He's gathered a common ground selection of songs for this latest album so that he can relate to folks from both sides of the tracks: those who've grown up with the "Big Easy" jazz tradition, and those who've grown up with blues-rock ringing consistently in their earphones.
Gospel plays a large part in Shannon's delivery. It's natural. He delivers a fiery sermon on "Ignant Stick," warning about the hazards of living by fraudulent means. "No Religion" contains a message for all mankind about the need for help from society and from within. Elsewhere, his guitar shines brightly with fluid lines, lyrical instrumental conversation, and seamless phrasing. Shannon carries the Deep South blues torch through his searing vocals and his fiery guitar.
Much of the session, however, tends to roll on uneventfully. Except for a seven-minute cover of "Eleanor Rigby," the program consists of Shannon's originals. Each offers a message for spiritual communion, but each dwells on its theme repeatedly without variation. Horns, organ, and Shannon's guitar provide a rich landscape that surrounds the singer with enveloping halos.
"Phunkville," like most of the session, resists the temptation to dig into the heart of the matter. While it does stand out as the album's high point, this R&B selection persists for ten minutes with a repeating theme. It mesmerizes. Shannon gives you an opportunity to relax a while and to unload some of that tension that's accumulated during the day. As our local taxi driver always says, "Lighten up, sit back, relax, and enjoy the ride."
Track Listing: The Reason; Swing Tiger Swing; Perfect World; Phunkville; I'll Kiss a Pitbull; Battle Ground; The Lights of Caracas (I Didn't Know); Sweet Potato; No Religion; Forget About Me; Eleanor Rigby; Ignant Stick; We Going.
Personnel: Mem Shannon- guitars, vocals; Robert Dabon- keyboards; Doug Belote, Josh Milligan- drums; Ian Michael- bass; Billy Martin- percussion; Tyrone Pollard- background vocals; Jason Mingledorff- tenor saxophone, clarinet; Frederick Sheppard- tenor saxophone; A.C. Gayden, Jr.- guitar on "Battle Ground;" Barney Floyd- trumpet; Troy "Trombone Shorty" Andrews- trombone on "Perfect World."
Year Released: 2005
| Record Label: NorthernBlues Music
| Style: Blues
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.