Pablo Menendez & Mezcla: I'll See You In Cuba

The band hits the right note as Orlando Sanchez's tenor saxophone fuels across free territory on "Big Brecker," a tribute to Michael Brecker, before it coalesces into a songo rhythm. The latter parameter, while pertinent to the overall ambience, is fluid as Sanchez fires heady bop lines that are countenanced by the fiery journey of Máyquel González's trumpet: tt is the perfect synthesis of styles.

Menéndez signals "Chicoy's Blues" with a heavy blues sound. He is a guitarist who transcends boundaries, finding his comfort zone in many styles. Here he opens out and goes into a rock mode, giving the melody a strong, instinctive presence. More, his innovations are earthy and harmonically rich. Sanchez and González are important parts of the theme, with the rhythm section of Ernesto Hermida and Oliver Valdes underscoring the punch.

"'Round Midnight" is given a sinuous body on guitar, with percussion enhancing the rhythm and adding to the entrancement. Menéndez holds sway filing the tune with germane improvisation that includes adding a Spanish tinge. It all swings into happy land with Spanish vocals adding the icing to this very imaginative concept.

"Oslo" has several tributaries flowing into the stream from the distortion of the guitar to the soft shaded lines of Migela Herrera's flute. She injects a remarkable beauty into her playing, yet she does not shy from getting into a deeper groove without losing her sense of balance.

With each musician a creative factor, a constant progression of sound and ideas amalgamate into a dynamic presence.

Comments