15

Hypercolor: Hypercolor

Dave Wayne By

Sign in to view read count
Hypercolor: Hypercolor
The past few months have seen a stream of truly—and in some cases mind-bogglingly—wonderful guitar-centric power trio albums. Yet, the eponymous debut of the Brooklyn-based avant-jazz-rock band Hypercolor stands out, but not for the reasons you'd think. Sure, the trio consists of musical brainiacs James Ilgenfritz and Lukas Ligeti; genre omnivores whose own work and collaborations draw as heavily from the worlds of free improvisation, contemporary classical, various ethnic musics, and art-rock as they do from jazz. How guitarist Eyal Maoz, best known as one of the most distinctive young musicians in John Zorn's orbit, has remained an underground sort of figure is beyond me. Like his bandmates, his playing is distinctive and virtuosic, and his recordings to date have been consistently fresh and restlessly eclectic. Take, for example Hope and Destruction (Tzadik, 2009) which successfully fused traditional Yiddish melodies and modern metal with the hyperactive rhythms of 70s disco-funk.

Hypercolor is similarly eclectic. The trio eliminates the overt references to dance music, and replaces them with a punkish sort of old school jazz-rock energy. The album is rife with the sort of strutting attitude that made Tony Williams' Lifetime (in all of its concatenations) so much fun to listen to. The end result, though, is more along the lines of Fred Frith's great trio, Massacre, or perhaps the Nels Cline Singers. The tunes themselves are not overly complex. Pretty much all of them have these incredibly striking and memorable melodies, riffs and sequences that emerge and dissipate organically. Though the individual performances throughout the album are uniformly excellent, the real star of the show is the interplay between the three virtuosi. Ligeti seems to be the Lenny White of the avant-garde scene: mega chops are on hand, but take a back seat to taste, flow, and humor. Ilgenfritz' 5-string bass echoes Bill Laswell's sub-basement bottom end. But it's not a gimmick; his abyssal ruminations add dimension and space, and contrast with the crisp, trebly guitar and drums in an additive sense. Maoz' playing is gloriously all over the map. "Transist" is a surf-tinged bluesy howl, the combination of Hendrixian grit and sweet lyricism on "Little Brother" echoes Nels Cline, and the twangily piquant opening line of "Forget" reminded me a little of something that Richard Thompson might play; until Maoz takes the tune in a completely different direction. Free-ish jazz skronk pops up on "Ernesto, Do You Have A Cotton Box?" while the sharp tutti passages of "Far Connection" are repeated in a variety of interesting ways as Ilgenfritz, and then Maoz, cut loose. The pensive quiet that envelops "Quixotic" suggests any number of ECM recordings, but there's a humor and athletic energy here that rarely seems to crop up on the august label's recent productions.

The band's name, oddly enough, refers to a now-defunct line of leuco-dyed clothing that changed color in response to the wearer's body temperature. Sort of like a full-body mood ring. The parallel is obvious. One gets the sense that these tunes are never played the same way twice. This is malleable, bendable music: the sort that grows and evolves and changes and adapts to its surroundings.

Track Listing

Squeaks; Chen; Forget; Ernesto, Do You Have a Cotton Box?; Glowering; Palace; Far Connection; Transist; Little Brother; Quixotic.

Personnel

Eyal Maoz: guitar; James Ilgenfritz: bass; Lukas Ligeti: drums, bells, percussion.

Album information

Title: Hypercolor | Year Released: 2015 | Record Label: Tzadik

Post a comment about this album

Tags

View events near New York City
Jazz Near New York City
Events Guide | Venue Guide | Get App | More...

Shop Amazon

More

Read Data Lords
Data Lords
Maria Schneider Orchestra
Read Sleepy Town
Sleepy Town
Jamie Pregnell
Read Momento
Momento
Dave Milligan
Read Peace
Peace
Spirit Fingers
Read Warmer Than Blood
Warmer Than Blood
Chris Montague
Read Off Brand
Off Brand
Collage Project
Read Expanding Light
Expanding Light
Whit Dickey Trio
Read Iron Starlet
Iron Starlet
Connie Han

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.