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Sweden-based Trespass Trio aligns with American improvising legend Joe McPhee for a live set, recorded 2012 at Salao Brazil. The artists' camaraderie, gamesmanship, and intuitive synergy become quite evident from the onset. From a holistic perspective, the band's rugged approach balances a prevalent degree of experimentation with familiar modern jazz terrain. Indeed, an audience-pleaser; even by free jazz conventions, the players render a cornucopia of disparate angles and propositions.
"A Different Kodo" is immersed in a free-bop modality. Drummer Raymond Strid kicks it off with a bristling groove, followed by Martin Kuchen's serrated alto saxophone lines within a sparse framework. McPhee chimes in with his pocket trumpet and tears apart the upper-registers with brazen choruses, as the band tightens the loop and steps inward. Edgy, yet executed with heartfelt enthusiasm, bassist Per Zanussi proceeds to open up the spatial characteristics with a fast-paced and nimbly articulated solo spot. He creates a sense of loneliness, but the ensemble sneaks back in and closes out on a temperate note. Essentially, the musicians bequeath a highly artistic set of values to exploration and adventurism, shrewdly countered by some lighter moments. No doubt, it's the complete package.
Personnel: Joe McPhee: pocket trumpet; Martin Kuchen: alto saxophone; Per Zanussi: double bass; Raymond Strid: drums.
I was first exposed to jazz as a child. My father had a very special record collection of Frank Sinatra, Ella Fitzgerald, Louis Armstrong, Tony Bennett, Antonio Carlos Jobim, and many more of the greats
I was first exposed to jazz as a child. My father had a very special record collection of Frank Sinatra, Ella Fitzgerald, Louis Armstrong, Tony Bennett, Antonio Carlos Jobim, and many more of the greats.
I was mesmerized by the music and still am!