Jump in to the flow of Dennis Warren’s music any place you desire. His music, the music of the Full Metal Revolutionary Jazz Ensemble (FMRJE) is a continuously flowing river of sound with (seemingly) no starting or ending points.
The drummer Dennis Warren is a disciple of Milford Graves and has studied with Cecil Taylor. His FMRJE, begun in 1989 has included jazz luminaries Raphe Malik, and Glenn Spearman. The current lineup like all others features an additional percussionist with conga player Jose Arroyo. The rhythm concentrated music is constantly propelling forward. Driving the powerful engine of Warren’s drumming. This is the music born out of the electric Miles Filmore and Agharta years, is the original jamband concept.
Warren’s prior self-produced FMRJE recordings can be found at his website and his previous label release was Watch Out! for Accurate Records.
Horizon Event is an accurate representation of what the FMRJE music is all about. The quintet sounds more like a large ensemble here filling space with powerful stroke throughout. Alto saxophonist Andy Voelker provides the out-spark throughout with engagingly spirited play.
For his part Warren keeps the motion continuously moving around. His drumming is the stuff riddilin was invented for. But lets not slow him down just yet.
I was first exposed to jazz as a baby. When I was a child, my parents regularly played classic jazz, i.e., Fitzgerald, Hawkins, Holiday, Davis, Coltrane, Monk, Montgomery, Silver, etc. I vividly remember sitting in front of the stereo as a kid, rocking back and forth to jazz, so the music is embedded in me
I was first exposed to jazz as a baby. When I was a child, my parents regularly played classic jazz, i.e., Fitzgerald, Hawkins, Holiday, Davis, Coltrane, Monk, Montgomery, Silver, etc. I vividly remember sitting in front of the stereo as a kid, rocking back and forth to jazz, so the music is embedded in me. As a life-long jazz lover, I eventually became a jazz educator and producer/host of a very popular jazz radio program in Los Angeles, California.
I love jazz because it is so free. I can think, feel, and dream to jazz, and it allows my mind to flow and expand, musically and otherwise. I also love jazz because it, much like other forms of music, allows opportunities to bring people from all walks of life together. What makes jazz more significant to me, though, is its historical significance; that is, how jazz served, in part, as a method of bringing communities together, a cultural/social/spiritual conduit.