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The Seattle-based trio New Storieswith a little help from some friends, and under the producer's baton of trumpeter Don Sicklerhas crafted a first rate document to the undersung bop composer/pianist Elmo Hope on Hope is in the Air.
Elmo Hope, back in bop's early days, hung with piano legends Bud Powell and Thelonious Monk. According to Nellie Monk, he was Thelonious' favorite contemporary composer, though the sound presented here, especially on the up-tempo numbers, seems much closer to Powell's, with a real "Bud Bounce" on the bright "Dee-Dah."
New Storiespianist Marc Seales, bassist Doug Miller, and drummer John Bishopfreshen up this set of bop jewels while maintaining the musical spirit and sense of experimentation and wonder of the early days of bebop. They open the disc with "Sims A Plenty," with Bobby Porcelli sitting in on alto saxophone, blowing with a freewheeling finesse on this up-tempo romp. Seven of the fourteen tunes are trio workouts, ranging from the bright and upbeat "Dee-Dah" to the hauntingly, delicately gorgeous ballad "Stars Over Marrakech," which features some of drummer John Bishop's subtle yet complex colorings. Indeed, the New Stories Trio, on the two back-to-back ballads "Eyes So Beautiful As Yours" and "Stars...", serves up the disc's pensively engaging ten-minute highlight, sounding searchingly abstract and, remarkably, almost impossibly cohesive.
Altoist Porcelli sits in on three more numbers besides the opener, and producer Sickler duets with pianist Bertha HopeElmo's widowon the two closers, "Monique" and Three Silver Quarters." And slip in Roberta Gambarini's bittersweet vocals on "This Sweet Sorrow," known instrumentally as "Barfly," and you've got a good feeling for Elmo Hope's marvelous but almost forgotten music.
Track Listing: Sims a Plenty, Dee-Dah, Nieta, One Second Please, A Kiss for My Love, This Sweet Sorrow, Roll On, Hot Sauce, eyes So Beautiful As Yours, Stars Over Marrakech, Low Tide, Carving the Rock, Monique, Three Silver Quarters
Personnel: Marc Seales--piano; Doug Miller--bass; John Bishop--drums: Featuring--Bobby Porcelli--alto saxophone (1,4,7,12); Bertha Hope--piano (11,13,14); Don Sickler--trumpet (13,14), flugelhorn; Roberta Gambarini--vocals (6); Ronnie Mathews--piano (6); Peter Washington--bass (6); Kenny Washington--drums (6)
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.