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The disasters that struck New Orleans this year affected all of us deeply. We've watched and read and listened intently as the news unfolded. Tragic stories and heroic adventures combined with political jibe to take over. This hasn't been about some group of strangers from afar; it's hit us hard, and the hurt is still with us.
The world has come together to rebuild what was, and to try to repair our heartfelt agony. Jazz at Lincoln Center's Higher Ground Hurricane Relief Benefit Concert of September 17 was one of the prescriptions that have been applied. It helps. Higher Ground features some of the movers and shakers in the jazz world. Each gives us a personalized note to carry home. The music calls for celebration and a return to normalcy. It may take time, but New Orleans will recover.
Wynton Marsalis, Wess Anderson, and Allen Toussaint interpret "Go to the Mardi Gras" with Art and Aaron Neville. The message is there. Diana Krall follows with a heartfelt invitation to visit "Basin Street," where the blues can be put aside and we can dream of better days. Dianne Reeves sings of "The House I Live In," and of its special place in our hearts.
Irvin Mayfield's "Just a Closer Walk With Thee," which he performs alone with piano accompaniment, stands out as the epitome of Higher Ground's message. Personal loss contributes to everything that we do. Mayfield dedicates this one to his father, who's still missing, and the heartfelt message is one that we can all feel deep inside.
Kent, Rachel, Stephanie, and Marlon Jordan deliver a beautiful interpretation of "Here's to Life" that reminds us of our losses and helps to provide us with the courage that we need to rebuild. That's what the concert meant then, and that's what this recording means to us every time we listen. Life goes on. We need emotional support in order to survive. The music gives us that and a whole lot more.
Track Listing: This Joy; Over There; Go to the Mardi Gras; Basin Street Blues; Never Die Young; The House I Live In; New Orleans Blues; I Think it's Going to Rain Today; Dippermouth Blues; I'm Gonna Love You Anyway; Is That All There Is?; Just a Closer Walk With Thee; Here's to Life; Blackwell's Message; Come Sunday.
Personnel: Wynton Marsalis, Ryan Kisor, Sean Jones, Marcus Printup, Curtis Watson: trumpet; Irvin
Mayfield: trumpet (12); Terence Blanchard: trumpet (2); Marlon Jordan: trumpet (13);
Wycliffe Gordon, Vincent Gardner, Andre Hayward: trombone; Kent Jordan: flute (13);
Sherman Irby, Ted Nash, Wessell Anderson: alto saxophone; Brice Winston, Walter
Blanding: tenor saxophone; Joe Lovano: tenor saxophone (14); Victor Goines: tenor
saxophone, clarinet; Joe Temperley: baritone saxophone; Allen Toussaint, Aaron Parks,
Bette Sussman, Dan Nimmer, Cyrus Chestnut: piano; Peter Martin: piano (6); Ronald
Markham: piano (12); Eric Reed: piano (1); Marcus Roberts: piano (7); Norah Jones: piano &
vocals (8); Michael Mathis: organ; Art Neville: organ & vocals (3); Mark O'Connor: violin
(15); Rachel Jordan: violin (13); Lionel Loueke, Paul Sinegal, Olivier Scoazec: guitar; Don
Vappie: banjo; Buckwheat Zydeco: accordion & vocals (10); Derrick Hodge, Reginald Veal,
L. Allen Zeno, Carlos Hernandez: bass; Rodney Jordan: bass (7); Herlin Riley, Aaron Mecals,
Kendrick Scott, Gerard S. Julian, Ali Jackson, Idris Muhammed: drums; Jason Marsalis:
drums (7); Dianne Reeves: vocals (6); Diana Krall: vocals (4); Cassandra Wilson: vocals (15);
James Taylor: vocals & acoustic guitar (5); Stephanie Jordan: vocals (13); Shirley Caesar:
vocals (1); Bette Midler: vocals (11); Aaron Neville: vocals (3); Bernard Sterling, Gene
Conyers, Donald Gore: background vocals.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.