Trilingual Annie Kozuch was raised in Mexico City and took to show business early. A subject of screen as well as song, it is a surprise that Here With You is her first disc. She sings in all her languages (English, Spanish, Portuguese) on this recording, with the Portuguese song, Jobim's "Chega De Saudade" ("No More Blues") being the pick of the bunch. "Chega De Saudade" is considered, by many, to be the first Bossa Nova composition, having been recorded by Joao Gilberto in 1958.
Guitarist Richard Padron and flautist Cecilia Tenconi make this a fully Bossa Nova experience. Breezy and sexy, Jobim's music could have only come from Southern Hemispheric climes, and Kozuch knows how to tap into the humidity. The gentle, swaying rhythm established by the band enables Kozuch to draw from the song all of the longing held in the lyrics,"Que ela regresse, porque eu não posso Mais sofrer" (..."let him come back; I can suffer no more").
Personnel: Annie Kozuch: vocals; Frank Ponzio: piano; Saadi Zain: bass; Vito
Lesczak: drums; Samuel Torres: percussion; Richard padron: guitar;
Cecilia Tenconi: flute and saxophone; Jose Gallegos: electric piano.
Year Released: 2010
| Record Label: Self Produced
| Style: Vocal
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet. After going through Rock 'n Roll, the Beatles and Heavy Metal/Hard Rock phases over the next eight or so years, I finally bought my first jazz album; We're All Together Again for the First Time by Dave Brubeck, Paul Desmond and Gerry Mulligan. I was hooked on jazz, and still am 40+ years later.
I moved from England to the USA in 2002, and founded the Brookfield Jazz Society in 2005.
I became editor of the quarterly IAJRC Journalin 2012. The magazine goes to the worldwide membership of the IAJRC (International Association of Jazz Record Collectors) and many major libraries and educational establishments around the world.
As well as being the editor of the IAJRC Journal, I write about jazz and review CDs, vinyl, DVDs and books on jazz.
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