New Orleans jazz doesn’t get much more authentic than George Lewis and his New Orleans Stompers’ faithfully rendered brand of traditional merry-making. Lewis and his colleagues recorded dozens of albums in dozens of settings, but their sound always remained at the root incorruptible and in its own sweet way sentimentally ecstatic. This reissue is no different and the session, taped at the NBC studios in San Francisco, visits the Stompers in seminal form with the added bonus of clean fidelity.
Most of the program is comprised of old chestnuts the septet played innumerable times, but it’s no less refreshing to hear them rip through them yet again. Spirituals and blues form the crux. The slow drag melancholy introduction of “Just A Closer Walk With Thee” is given an unusually long reading before the inevitable shift into overdrive signaled by Purnell’s bright segue and Watkins’ bouncing sticks. Pavageau’s rock bottom bass slaps ground “Doctor Jazz” in some heavy blues and the horns use the center as pole to swing around. Lewis’ light and sassy line weaves with Howard’s muted trills on “Jerusalem Blues” as again Pavageau delivers tensile rhythmic support in tandem with Marrero’s brittle strums. Robinson’s tailgate smears hold the line on the greasy rundown of the risqué “Ain’t Gonna Give Nobody None of My Jelly Roll” and Lewis’ singing affirmations snake around the loose ensemble patterns creating lively counterpoint. The trombonist also turns in gruff and growling gutbucket turn on the band’s version of the classic “Tin Roof Blues,” barking out a series of gnarled shouts guaranteed to strip the rust off any sheet of corrugated siding.
Rightfully lauded as legends Lewis and his band mates share a special place in the pantheon of New Orleans jazz. As such an incredible amount of material survives as testament to their stature, some of it inevitable suspect in terms of quality and focus. Even the greatest bands in the world have their off nights. Fortunately this reissue is reflective of the Stomper’s reliable and is filled with the level of music on which their lasting reputations were built.
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Track Listing: Lord, Lord, You Certainly Been Good To Me/ Dallas Blues/ Swanee River/ Just A Closer Walk With Thee/ Doctor Jazz/ Jerusalem Blues/ Ain
Personnel: Kid Howard- trumpet; Jim Robinson- trombone; George Lewis- clarinet; Alton Purnell- piano; Lawrence Marrero; Alcide
I love jazz because it is in my blood. It is the only original American art form. It is sacred. The greatest musicians are jazz artists.
I was first exposed to jazz in 1961 listening to my father's records of Duke Ellington, Billy Strayhorn, Count Basie, Nat King Cole, Ben Webster, Coleman Hawkins, Lester Young.
I met Sonny Stitt, Wayne Shorter, Branford Marsalis, Joey Calderazzo, Michael Brecker, Cannonball Adderley, Walter Booker, Dave Liebman, Joe Lovano, George Benson, Mike
Stern, Stanley Turrentine, Billy Harper, Skip Hadden, Charlie Haden.
The best show I ever attended was Joe Lovano with Soundprints at the Wexner Center in Columbus Ohio in 2014.
The first jazz record I bought was Miles Smiles.