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This may be the best tribute disc I have ever heard.
I have mixed feelings about a tribute disc to a phantom. Robert Johnson's craft is as essential to world culture as Bach's Well Tempered Clavier, the Koran, and Citizen Kane. In my experience, tribute discs contain one or two performances that are over the top wonderful (such as Buddy Guy's "Red House" on the Hendrix Tribute and Hootie and the Blowfish on the Zep Tribute). Therefore, I had pretty low expectations of Hellhound on My Trail: Songs of Robert Johnson. After all, how could Robert "I'm Addicted to Love" Palmer sneak sally through the alley on the blues canon? To my glee, I discovered a tribute disc that should be owned along side The Complete Robert Johnson.
Why, might you ask? Because we are fortunate to have performing on this disc, perhaps the last of the practicing bluesmen that actually knew Robert Johnson, particularly Dave "Honeyboy" Edwards who was present the night Johnson was allegedly poisoned and Robert Jr. Lockwood, who learned at the foot of the phantom as Johnson kept house with his mother. With a groan as deep as the delta he hailed from, betraying his 80some odd years, Dave Edwards metaphorically returns to Friar's Point Mississippi with Johnson's " Traveling Riverside Blues". Edwards still plays a mean bottleneck guitar and his voice has as many rings as a California Redwood. He closes the song with the words, "That's pretty close to it". Indeed.
The fun does not stop there. Robert Jr. Lockwood turns in an intense "I'm A Steady Rollin' Man" with Carey Bell playing Rice Miller to Lockwood's Johnson. Two other old timers also show up. Pinetop Perkins, pounding his piano, tells the listener of his "Sweet Home Chicago" while Bob Margolin provides the slide guitar. Clarence "Gatemouth" Brown performs "If You've Got a Good Friend" only as he can. Most of the performances on this disc are reverent and straight. That is with the exception of the aforementioned Robert Palmer. Palmer uses a tuba, dobro, and processed guitar. And his voice: Palmer had one of the finest vocal performances on the record, using Johnson's "Milkcow Calf's Blues" as his vehicle. If you already have The Complete Robert Johnson, buy this disc . If you don't already have The Complete Robert Johnson, get it and then buy Hellhound on My Trail. It's just like reading poetry—you just have to.
Track Listing: Crossroads; Traveling Riverside Blues; If I Had Possession Over Judgement Day; I'M A Steady Rollin' Man; Me And The Devil Blues; Walkin' Blues; When You've Got A Good Friend; Kind Hearted Woman Blues; Dust My Broom; Come On In My Kitchen; Stones In My Passway; Walking Blues; Hellhound On My Trail; Stop Breakin' Down Blues; Sweet Home Chicago; Milkcow Calf Blues. (Total Time: 62.50)
Personnel: Carey Bell; Tony Braunagel; Clarence "Gatemouth " Brown; Keith Brown; Carl Carlton; James Cotton; David "Honeyboy" Edwards; Eric Gales; Alvin Youngblood Hart; Norris Johnson; Chris Thomas King; Robert Jr. Lockwood; Taj Mahal; Bob Margolin; Reggie Mcbride; Robert Palmer; Pinetop Perkins; Lucky Peterson; Susan Tedeschi; Derek Trucks; Joe Louis Walker; Carl Weathersby.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.