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The Redhead Records release Hearts places singer Maye Cavallaro in a challengingly minimalist setting. Accompanied by guitarist Mimi Fox, as well as Paul McCandless on reeds and Ian Dogole on percussion, Cavallaro offers 12 tracks, each a personnel rendition of standards ranging from Ellington to Paul Simon.
Mimi Fox’s versatile and expressive guitar work buoys the entire album, supporting the pared down arrangements and Cavallaro’s theatrical interpretations. Fox’s talents, however, can only mitigate against Cavallaro’s average range and poor phrasing so much. With the notable exception of the Latin-tinged title track, “Hearts,” those who know these tunes well will be disappointed by Cavallaro’s treatments. Particularly painful is hearing Costello’s brilliant “Almost Blue” drained of all color by poor phrasing and an overdramatic reading.
Cavallaro fares better with more accompaniment, the percussion on Simon’s “Under African Skies” contextualizing Cavallaro’s folkish approach, but her scat work on Ellington’s “Beginning to See the Light” comes off worse than conventional: it sounds stiltedly rehearsed.
Overall, a dreary compilation, Cavallaro’s sound seems more suited to the theatrical stage than the studio, often making one think of blush Zinfandel rather than straight whiskey or champagne.
Track Listing: 1. Nothin' But The Blues 2. Peace 3. Almost Blue 4. Hearts 5. Begining to See the Light 6. Only Trust
Your Heart 7. Under African Skies 8. Daydream 9. Don't Get Around Much Anymore 10. Save Your
Love For Me 11. Spring is Here 12. Till There Was You
Personnel: Maye Cavallaro: Vocals
Mimi Fox: Guitars
Paul McCandless: Reeds
Ian Dogole: Percussion
Year Released: 2003
| Record Label: Rehead Records
| Style: Vocal
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.