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The meeting between two artists can represent an exchange of ideas and disciplines, as well as a sense of fellowship. Both are evinced in Heartmony, the second duo release from guitarist Hristo Vitchev and pianist Weber Iago; a collaborative follow up to 2009's The Secrets of an Angel on Vitchev's First Orbit Sounds label.
With an air that's reminiscent of guitarist Pat Metheny and pianist Lyle Mays' simpatico, the eleven tracks include Vitchev's "The Farewell Suite," music inspired by reflections on his personal life. With touches of melancholic beauty and striking adventurism, the suite imparts an expansive and rural-like quality that is analogous to observing a picturesque landscape.
One of the suite's most memorable tracks is "The Imperative Expression," a meditative reflection that Vitchev states "as the idea that somehow life goes on and that we have to deal with and accept such changes." The track's persona comes to life in a quiet processionfirst with Iago's persistent chords, then by Vitchev's acoustic guitaras the two repeat and improvise over the melody. It is atmospheric, introspective, and the perfect prescription for a stressful day.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.