With so many young Cuban jazz musicians standing around, "Perdido" signaled the time for a jam session, with O'Farrill's trio at the core. Trumpeters Yasek Manzano, Alejandro Delgado, Edwardo Sandoval, Carlin Gonzalez-Cuerto and twelve year-old Jesus Andiez were among the many musicians drawing a line between Cuba and Harlem, as were trombonist Edwardo Sandoval, saxophonists Ernesto Camilo Vega, Emir Santa Cruz and Michel Herrera, and singer Arletis Valdes.
As the evening came to a buoyant close with the strains of jazz, Caulfield summed things up by noting that three generations of peopleyoung, middle-aged and elderlyhad come together that night, and from these generations it's clear that communicating through music breaks down borders. If only everything could be this easy; as O'Farrill said, "If not when, now?"
I love jazz because it makes you reach inside and outside.
I was first exposed to jazz as a student of Pat Martino.
I met Michael Urbaniak at the Bottom Line in NYC.
The best show I ever attended was Pat Martino at the Village Vanguard.
The first jazz record I bought was STRINGS by Pat Martino
My advice to new listeners stay loose.