Celebrated and highly influential alto saxophonist Steve Coleman reenters the progressive jazz context with his cutting-edge Five Elements band. A purveyor of M-Base processes, which are centered upon a synchronous balance between structure and improvisation, Coleman's odd-metered metrics revert to kaleidoscopic sentiment on "Clouds."
Trombonist Tim Albright launches the track with warmly stated choruses, underscored by Thomas Morgan's bulging bass lines and Jen Shyu's instrumental-like vocalizations. Slightly intensified by Coleman's darting sax lines and trumpeter Jonathan Finlayson's contrasting statements, the ensemble's lucid imagery often mimics crisscrossing cloud movements. Moreover, the polytonal voicings provide the groundwork for shades of grey and white, as the shifting clouds parallel the band's slow fade out.
Coleman's artistic abstract entails his imaginative union of music and nature. Not so much a ballad, but more of an upbeat interpretation of the atmosphere and spirits around us.
Track Listing: Attila 02 (Dawning Ritual); Beba; Clouds; 060706-2319 (Middle of Water); Flos Ut Rosa Floruit; Attila 04 (Closing Ritual); Vernal Equinox 040320-0149 (Initiation).
Personnel: Steve Coleman: alto saxophone; Jonathan Finlayson: trumpet; Tim Albright: trombone; Jen Shyu: vocals; Thomas Morgan: bass; Tyshawn Sorey: drums; Marcus Gilmore: drums (5); Ramon Garcia Perez: percussion (5).
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good. I was 16 at the time. I went to Tower Records and purchased a CD by Wes, and I was hooked from the very first ten seconds. The sound of the song Lolita illuminated my bedroom, as I just sat back amazed at how colorful and soulful this music was--I understood it, even though at the time I didn't understand how to go about playing it. I get chills listening to Wes' solo on Lolita, and I can still listen to that song ten times in a row and never get tired of it. There is a truly timeless quality to genuinely spontaneous jazz music, and it is that quality that has inspired me to devote my life to studying and playing this music.