On many occasions, Ronnie Laws hasn't hesitated to stoop to musical prostitution and record mindless, knee-jerk "elevator muzak" for the "smooth jazz" market. But the tenor & soprano saxman showed signs of repentance in 1996, when he recorded the soul-jazz gem A Tribute To The Legendary Eddie Harris. Saluting one of his main influences, Laws demonstrated that he could still be a riveting improviser and delivered his best album in 20 years. But sadly, Laws' fling with quality was too good to last. And with Harvest For The World, he's back to recording schlock.
The idea of a jazz instrumentalist paying tribute to the Isleys' music is intriguing-it's certainly a more interesting prospect than yet another "Young Lion" playing "Round Midnight." But this album is hardly the gem it could have been. While some of the straight-up R&B cuts are decent (including "Who Loves You Better," featuring sibling Debra Laws on vocals), instrumental versions of "Harvest For The World," "So You Wanna Stay Down" and "At Your Best You Are Love" are glaring examples of "elevator muzak" at its most shameless, boring and formulaic.
As an instrumentalist, Laws fares somewhat better on "You Still Feel The Need" and "People Of Today" (a rare example of him switching to flute). Although not breathtaking, at least they involve some interpreting. But for the most part, this disappointing album isn't about interpretation-it's about throwing musical integrity to the wind and wasting your talents on embarrassing, dishonest fluff.
I love jazz because next to my kids, it's the love of my life.
I was first exposed to jazz by Joe Rico from a tiny station in Niagara Falls in 1954 when I was 13.
The best show I ever attended was Maynard Ferguson who blew the roof off Massey Hall in the late 50s.
My advice to new listeners is to listen to everything you can and then listen again.