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Pamela Hines and April Hall continue their collaboration with a full album of tunes that Hines composed. The last time around, Hall was a guest vocalist on Twilight World. On the present effort, the tunes cross different streams and Hall gets in to them with compact ease. Her voice is supple and she uses phrasing to bring out the emotional strength of the lyrics.
Hines has a free-flowing gait as a pianist. Her ideas are relevant and they bring context to the development of her songs. She gets off on the right track with "I Go For You, essaying a light undercurrent of swing. She improvises but keeps her inventions in check to make this a nice lithe tune. There is a balmy air to "Encinitas. Hall has a sultry edge to her singing, but the overall atmosphere is an easy one, a warm wind wafting across softly.
It is time to go up-tempo and flex the rhythm when they take it "To the Street. Hines parlays some colourful runs, making her work all the more interesting as she steers clear of unnecessary flourishes. The blues has to be in there, and "4 Blues, a traipsing song, is given a lucent presence by Hines while Hall makes the lyric jump and sit up with her vocal acrobatics.
Track Listing: I Go For You; I-95; Just Us; 4 Blues; Encinitas; To The Street; A Stone; We Could Have The
Personnel: April Hall: vocals; John Lockwood: bass; Reed Dieffenbach: drums, percussion; Pamela
Jazz is a continuing revelation. The best show I ever attended was the
Roots Picnic at Penn's Landing in Philadelphia, or was it Robert
Glasper's Experiment at Lincoln Center, or was it Chick Corea with
Brian Blade at Oberlin College? Most of all I enjoy playing guitar and
composing beats with my Brooklyn-based group Space Captain.