313

Boston Modern Orchestra Project: Gunther Schuller: Journey Into Jazz

By

Sign in to view read count
What might seem the most innocuous music is often the most avant-garde, the most challenging; the spark that forces the question of what defines the boundaries of jazz. Gunther Schuller's "Journey Into Jazz," composed in 1962, is just that: a children's narrative, telling the story of one Eddie Jackson, "a boy who learned about jazz," a communal mode of music-making that is free, ostensibly, of all the restraints that come with genre labels. Though the piece is over 40 years old, the Boston Modern Orchestra Project's recording captures Schuller's strong aesthetic statement about the "third stream" of jazz and its staying power throughout history—with its composer narrating.

"Journey Into Jazz" walks a fine line between simplicity and didacticism. Described by Leonard Bernstein (among others) as "a sort of 'Peter and the Wolf' of Jazz," it seems simple: a young boy has a hunger for music, picks up the trumpet and eventually discovers that music need not be notated, that it can be free-flowing, stemming from raw emotion. Yet the music that accompanies the narration, written by Nat Hentoff, seems slightly static: made legible for even the youngest ears, classical and jazz are rendered into crystallizations of their mass-market definitions. Though the playing and recording quality of this album are undoubtedly high, they cannot escape the constraints of the self-ascribed "third stream" genre, stuck literally between European and African musical traditions. Reduced to its most basic argument, Schuller's children's narrative also brings the music down to its essentials, reducing both other streams to overly simplistic, often bland passages.

The other two pieces on this album, "Variats" and "Concertino," both scored for Jazz Quartet and Orchestra, come closer to Amiri Baraka's (then LeRoi Jones') demand of third stream music, that the "techniques [of jazz and classical music] be used and not canonized." All three are pieces full of contradictions, which make them some of the most interesting compositions of the '50s and late '60s: they struggle to reconcile composition and improvisation, not perfectly, but resoundingly musically.

Track Listing: Variants for Jazz Quartet and Orchestra; Journey into Jazz; Concertino for Jazz Quartet and Orchestra.

Personnel: Edwin Schuller: bass; George Schuller: drums; Tom Beckham: vibes; Tim Ray: piano; Gunther Schuller: narrator; David Ballou: trumpet; Jason Hunter: tenor saxophone; Matt Dariau: alto saxophone; Bruce Barth: piano.

Title: Gunther Schuller: Journey Into Jazz | Year Released: 2009 | Record Label: BMOP/sound


Tags

comments powered by Disqus

More Articles

Read For the Love of You CD/LP/Track Review For the Love of You
by Jack Bowers
Published: October 21, 2017
Read Recent Developments CD/LP/Track Review Recent Developments
by John Sharpe
Published: October 21, 2017
Read Triple Double CD/LP/Track Review Triple Double
by Glenn Astarita
Published: October 21, 2017
Read Agrima CD/LP/Track Review Agrima
by Jerome Wilson
Published: October 21, 2017
Read The Study of Touch CD/LP/Track Review The Study of Touch
by Karl Ackermann
Published: October 20, 2017
Read Another North CD/LP/Track Review Another North
by Roger Farbey
Published: October 19, 2017
Read "I Try To Remember Where I Come From" CD/LP/Track Review I Try To Remember Where I Come From
by Glenn Astarita
Published: September 17, 2017
Read "Nigerian Spirit" CD/LP/Track Review Nigerian Spirit
by James Nadal
Published: May 29, 2017
Read "Paint" CD/LP/Track Review Paint
by Jerome Wilson
Published: October 16, 2017
Read "Wake Up Call" CD/LP/Track Review Wake Up Call
by Glenn Astarita
Published: April 24, 2017
Read "First Light" CD/LP/Track Review First Light
by Mark Sullivan
Published: September 18, 2017
Read "Hudson" CD/LP/Track Review Hudson
by Doug Collette
Published: June 14, 2017

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.