It’s a smooth jazz Christmas. Most of this program is exactly what you’d expect: sax lead, programmed backgrounds and drum loops, lightweight improvisations (although Doc Powell’s guitar on “Let It Snow” is appealing). The first eight songs stay close to the formula, and it’s pretty predictable, mechanical, and at times downright sterile. But whoever sequenced the CD saved the best for last; the final three songs are the most rewarding of the lot. “Christmas Eve”, the only original on the program, is a nice addition to the holiday repertoire, and Billy Valentine provides a warm, friendly vocal. “It’s the Most Wonderful Time of the Year” sways happily in 6/8 time, with occasional shifted accents – it’s a nice arrangement. Kathleen Bertrand’s rich gospel vocal on “Oh Come All Ye Faithful”, backed by piano and synth strings, is a complete departure for the smooth jazz that permeates the rest of this CD, and a nice way to close the disc.
Track Listing: Winter Wonderland (Jeff Lorber); Let It Snow (Doc Powell); Have Yourself a Merry Little Christmas (Eddie M); The Christmas Song (Michael Lington); Feliz Navidad (Jango); I
Personnel: (in addition to the featured performers listed above) Patrick Lamb
I love jazz because it is in my blood. It is the only original American art form. It is sacred. The greatest musicians are jazz artists.
I was first exposed to jazz in 1961 listening to my father's records of Duke Ellington, Billy Strayhorn, Count Basie, Nat King Cole, Ben Webster, Coleman Hawkins, Lester Young.
I met Sonny Stitt, Wayne Shorter, Branford Marsalis, Joey Calderazzo, Michael Brecker, Cannonball Adderley, Walter Booker, Dave Liebman, Joe Lovano, George Benson, Mike
Stern, Stanley Turrentine, Billy Harper, Skip Hadden, Charlie Haden.
The best show I ever attended was Joe Lovano with Soundprints at the Wexner Center in Columbus Ohio in 2014.
The first jazz record I bought was Miles Smiles.