New York-based pianist Jamie Reynolds set himself up with the challenge of conveying the realities of certain emotions musically. The result is Grey Mirror, a piano trio enhanced by the contributions of guitarist Matthew Stevens and The Westerlies, a two trumpet, two trombone quartet.
Reynolds proves himself a fine conceptualist, with some tunes featuring his triooften shined up with the Wurlitzerothers embellished with the brass guys, and the rest emboldened by Stevens modernistic guitar work. Reynolds also present double takes on three tunes, alternating brass and guitar and piano trio renditions.
"The Earliest Ending" opens the set with a majestic Westerlies fanfare; it ends with the same tune, a somber mood piece as it opens, featuring Reynolds' trio and Matthew Stevens' subdued guitarrecognisably the same tune but entirely different in mood and atmospherics. Then it builds momentum, evolving into a futuristic anthem that gives way to Reynolds' brief, pensive piano. "Church" takes the same approacha piano trio versus The Westerlies. The Wurlitzer glistens with a gorgeous sheen over the acoustic piano on the trio offering. On the shorter version with the horn men, a beautiful stateliness pervades.
With the different instrumental configurations, Grey Mirror requires attentive listening. So does Reynolds "doing his own thing" compositional and arrangeing skills that don't seem easily comparative. Most artists can be put in a box, or a least in the proximity of one. That can't be said with Reynolds. The attentive listening pays off.
Track Listing: The Earliest Ending (The Westerlies); Grey Mirror (Featuring Matthew Stevens);
Church; Lake Cycle (The Westerlies); Small Worlds (Featuring Matthew Stevens);
Green-wood; Church (The Westerlies); Untitled Interlude; Sleep (Featuring
Matthew Stevens); The Latest Beginning (The Westerlies); Lake Cycle; Good Help;
Small Worlds (The Westerlies); The Earliest Ending (Featuring Matthew Stevens)
Personnel: Jamie Reynolds: Piano, Wurlitzer; Matthew Stevens: Guitar; Orlando LeFleming:
Acoustic and Electric Bass; Eric Doob: Drums; The Westerlies; Andy Clausen:
Trombone; Willem de Koch: Trombone; Zubin Hensler: Trumpet; Riley Mulherkar:
I love jazz because, even after many years as a professional performer, teacher and author on the subject, this music still possesses the element of deep mystery and surprise. I recently heard somebody say that if you can explain something, you take the mystery out of it
I love jazz because, even after many years as a professional performer, teacher and author on the subject, this music still possesses the element of deep mystery and surprise. I recently heard somebody say that if you can explain something, you take the mystery out of it. Not in this case! It seems that with every explanation, new questions arise exponentially! It's like the universe is constantly inviting (challenging) you to grow musically.