All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Alto saxophonist and producer David Binney has become a ubiquitous presence in jazz in the last 20 years fronting his own bands while appearing with Donny McCaslin, Uri Caine, Joel Harrison, Edward Simon and Bobby Previte. He might be considered the logical next step in jazz saxophone after Wayne Shorter and Michael Brecker (Sonny Rollins remains in an orbit by himself), never mind that he is not a tenorist. Binney has been sharpening his direction over his last two recordings (Aliso (Criss-Cross, 2010) and Third Occasion (Mythology Records, 2009)) on his way to Graylen Epicenter which achieves a certain anxious stateliness that is quite cutting edge.
The title track, "Graylen Epicenter," is the lengthiest piece on the one- hour-plus recording. It possesses many moods and movements, the most provocative being Wayne Krantz's funky R&B guitar solo early on in the piece. The introduction is a modal march over which Binney, tenor saxophonist Chris Potter and trumpeter Ambrose Akinmusire spin their discursive silk. Krantz spins, slaps and snaps his way through James Brown by way of Jaco Pastorius, sounding at once like an electric bass and an electric guitar. His playing is very melodic and soulful. A head break incorporates the vocalization of uber-siren Gretchen Parlato and Binney seconding the horns. Binney takes a long solo with a noisy rhythm section, making what has become his brand of jazz: assertive, overt, confident. All of these are reasons why Binney is at the center of jazz.
Personnel: David Binney: alto and soprano saxophones, vocal; Gretchen Parlato: vocal;
Ambrose Akinmusire: trumpet; Chris Potter: tenor saxophone; Craig
Taborn: piano; Wayne Krantz: guitar; Eivind Opsvik: bass; Brian Blade:
drums; Kenny Wollesen: percussion, vibes; Rogerio Boccato: percussion.
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop. But nothing has touched my artistic sensiblities like JAZZ! Two years ago I moved to Sarasota, FL where I renewed my focus on my singing career and I was so impressed with the quality, quantity and generousity of talented jazz musicains in the Suncoast area. I soon partnered with piano legend Billy Marcus and his trio with Don Mopsick and Stephen Bucholtz. What a blast working with these guys and having them back me up on my first jaz album, Here's To You... which was just released on October 1st. I can't wait to see where the coming year brings me! Check out syniacarrolljazz.com