On their 22nd album, it's clear that Spyro Gyra has stillGot the Magic. The compositions, performances, and production values are as dependable as ever, but this time around leader/producer Jay Beckenstein brought in some fresh production and composition help in the persons of Chuck Loeb (six of the eleven selections), Jeff Beal and Jason Miles (one each). Loeb's tracks do steer Spyro Gyra a little bit in the direction of smooth jazz, but this is still definitely identifiable as Spyro Gyra. The core band of Beckenstein (sax), Tom Schuman (keyboards), Julio Fernandez (guitar), Scott Ambush (bass), and Joel Rosenblatt (drums) remains intact as it has for six years, but the guests play a slightly more prominent role this time around. The three-piece "No Sweat Horns" are back again, as is band alumnus Dave Samuels on vibes. Basia adds lead vocals to Jeff and Joan Beal's "Springtime Laughter," and four other tunes sport background vocals. In this case, change is progress, andGot The Magicis another successful chapter in the remarkably excellent and consistent discography of Spyro Gyra. (Windham Hill Jazz 11439)
Tracks:Silk and Satin; Breezeway; Havana Moonlight; Springtime Laughter; If You Will; Got the Magic; Teardrops; Pure Mood; Sierra; Love Comes; R.S.V.P. (55:41)
Jay Beckenstein, saxophones; Tom Schuman, keyboards; Julio Fernandez, guitars, scat vocal; Joel Rosenblatt, drums; Scott Ambush, bass; Basia Trzetrzelewska, vocals; David Charles, percussion; Dave Samuels, vibes and marimba; Scott Kreitzer, flute, saxophone; Jeff Beal, Mike Ricchiuti, keyboards; Carmen Cuesta, Phil Hamilton, Kay Gile, Billy Cliff, Andrika Hall, Julio Fernandez, background vocals; Barry Danielian, trumpet, flugelhorn; Randy Andros, trombone.
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St. Needless to say, Jazz and Blues were always on the stereo in our home. I was steeped in these exciting sounds, and they make up some of my earliest memories.