J.S. Bach's The Goldberg Variations
is one of the most famous works in the literature of the piano and an endless source of inspiration for pianist around the world -and not only classical pianists. Bach's music simply transcends genres and his ability to develop and sculpt variations on a theme remain unsurpassed. It is no coincidence that the legendary saxophonist Coleman Hawkins
, himself a master in the art of thematic variation, deeply admired Bach.
In the informative notes for his interpretation of Goldberg
, British pianist John Law
explains the structure of the work and sees a resemblance to jazz: "The Goldberg variations fall somewhat between a chaconne (variations on a repeating chord sequence -rather like we do in jazz!) and a passacaglia (different harmonisations over a continuously repeating ground bass)."
In his own interpretation of the work, Law has made a bold move. He has bookended a traditional reading of The Goldberg Variations
with two of his own electronic, ambient compositions based on the harmony and bass line used in Bach's work. The result is a fascinating portal into Bach's music that sets the mood for a total experience of the work. The Goldberg Variations
is indeed a complex work and it has been revisited by piano masters like Glenn Gould
and Andras Schiff
. Recently, Danish pianist Carsten Dahl
has made a version for prepared piano that radically transforms the sound of the music. What Law does is primarily that he changes the context of the way the work is experienced, but this is also crucial. Most artists know how important the frame is for the experience of the painting and Law has respectfully changed the frame and removed the dust so the grandeur of Bach's work can be heard clearly.
However, with the original pieces being so successful, one can't help but wonder how a complete electronic, ambient interpretation of Bach's work would sound like. That is a question for the imagination or, perhaps, the next step in yet another interpretation of this endlessly fascinating work.
Track Listing: Opening; Aria; Variation 1; Variation 2; Variation 3; Variation
4; Variation 5; Variation 6; Variation 7; Variation 8; Variation
9; Variation 10; Variation 11; Variation 12; Variation 13;
Variation 14; Variation 15; Variation 16; Variation 17; Variation
18; Variation 19; Variation 20; Variation 21;
Variation 22; Variation 23; Variation 24; Variation 25; Variation
26; Variation 27; Variation 28; Variation 29; Variation 30; Aria;
Personnel: John Law: piano.
Year Released: 2015
| Record Label: 33xtreme
| Style: Modern Jazz