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Sam Newsome extends his radical departure into the realm of world beat on his latest disc. In 1995 Newsome was an established hard bop saxophonist whose associations included straight-ahead mainstays like Donald Byrd, Lionel Hampton and Terrence Blanchard when he made a 180-degree career switch. He traded in his main ax, tenor saxophone, for the soprano and forswore the inside context for the international grooves of world music.
As the album's title suggests, the music produced here is a melding of influences from disparate cultures. Combining an all-originals program, instruments from around the world, and international players, Newsome creates a multicultural sound. He coaxes from his soprano a shakuhachi-like voice that conveys an East Asian melody on 'A Night in Indonesia'. Crossing to the other side of the globe on 'Into-Nation of Islam', Newsome's horn transforms into a snake charmers flute and with the support of dumbek evokes a Middle Eastern vibe.
While improvisation occurs on Global Unity, links to mainstream jazz remain tenuous. The leader places a higher premium on melodic and rhythmic development than on soloing over conventional chord changes. Music fans with broad tastes will find Sam Newsome's take on world beat rewarding; straight-ahead fans should temper their expectations.
Track Listing: When You See the Light; A Night in Indonesia; An Afrasian Occasion; The Wedding March of a Playboy; Into-Nation of Islam; Bongo Betty; The Sucker?s Game; Dance of the Deli Lama; Dread Man Walking; When You Hide from Me
Personnel: Sam Newsome - soprano sax; Elisabeth Kontomanou ? voice; Marvin Sewell ? guitars; Jean-Michel Pilc ? piano; Ugonna Okegwo ? bass; Satoshi Takeishi ? Japanese percussion; Gilad ? percussion; Mel Baker ? electric bass; Matt Balitsaris ? mandola, 12 string guitar; Jeff Berman ? vibes, percussion; Adam Cruz ? steel pan, percussion; Kahlil Kwame Bell ? kalimba; Meg Okura - violin
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.