If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
It took a while for me to get into this one, probably because I'm a huge fan of Stern's fusion stuff. At first I thought there was a lot of needless noodling on Give And Take, but repeated listens have helped me appreciate the complexity and intensity of the playing. This is a purer jazz outing with fewer rock tendencies than I'm accustomed to from Stern. Jazz heavyweights Michael Brecker, John Patitucci, Jack DeJohnette and pianist-producer Gil Goldstein push Stern to new heights here, and I've come to feel that it's one of Stern's best.
You have to be one confident guitarist to tackle Coltrane's "Giant Steps" and Sonny Rollins' "Oleo," but Stern rips through each with aplomb. My favorites here are the tunes that pair Stern with Brecker, most notably the originals "Everything Changes" and "Jones Street." The former's a deeply reflective ballad and the latter's a slow bluesy number that evokes a wet city street in the middle of the night. The bluesy "That's What You Think" contains some of the best blowing I've ever heard out of David Sanborn's alto sax. DeJohnette and Patitucci are their usual brilliant selves throughout, and Don Alias adds some subtle percussion touches on five tracks.
A few people have told me they prefer Stern's Standards (And Other Songs) to his more fusion-oriented work. If they give it a chance, Give And Take should appeal to Stern fans of all stripes.
I was first exposed to jazz through a high school friend who played Keith Jarrett's The Koln Concert for me. Therefore, that was the first jazz record I bought. From Jarrett to Chick to Oscar and Herbie and then came my first hearing of A Love Supreme. I was never the same...
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Thanks for joining the All About Jazz community!