is a New York City boy. He was born and raised in the city. He is a composer, guitarist and producer and has worked with some of the finest musicians. He has been involved in projects which cover a range of music genres including pop, funk, jazz and fusion and has produced and collaborated with world class performers including John Scofield
, Chris Potter
, singer-songwriters Marc Broussard
and Grace Weber and James Genus
. He has recently made a long term commitment of creating the best studio band on earth and is calling this project City Blog. Gideon King and The City Blog is about bringing together quality jazz and fusion musicians to support his compositions. His music speaks of New York with its driving, pacey, up tempo beats. Of the city, King comments, "I have a love/hate relationship with the place. It's a place where intellectual bravery is as common as intellectual cowardice and group-think. Words spoken are often unfiltered and raw and yet at other times it seems every sentence is in the service of preserving image. I feel very at home here until the talking starts. It's a great city. It's the only place I know where I can go and get the best Cuban food on Tuesday and killer French food on Wednesday. Also good pickup basketball although my skills have deteriorated to alarming levels. It is hard not to vibe off the energy in this place. It's funny, angry, unfinished, dangerous, pretentious, and has great Dominican food. I hate it at least half the time though."
King's musical influences are varied. He says, "The first song I remember loving was "Just A Song Before I Go" by Crosby Stills and Nash. My sisters had a little bit of hippy vibe to them and I would beg them to play that tune for me. I was about 9 years old at the time. I loved the melody, the short guitar solo and the sad and haunting lyrics. Meanwhile on the other side of the apartment something very special was happening. My brother Jonny was turning into a virtuoso jazz pianist. I went to bed at night with my head against a wall rumbling with McCoy Tyner
and Bill Evans
lines. Jonny, who is a great composer and player, really introduced me to jazz phrasing and the idea of improvisation. He also encouraged me to learn harmony. I was very lucky to have a brother who introduced me to this very special way of playing and listening. I love classical music. I love jazz. I love soul music. I love rock and pop. I like some rap."
So, are there any musicians in particular you would say had more of an influence on you? I asked. King replied, "In terms of guitar players my favorite might be John Scofield
. He is such a beautiful and soulful player and has crossed over so many genres. He really is a jazz player at heart but has used different guitar tones that make him more contemporary. Scofield played on one of my tunes in the last few years. That was a thrill. Pat Metheny
is a genius. His solo on the tune "Third Wind" changed my life. It made me aspire to play faster and in a more flowing way. Also his solo acoustic stuff is beautiful. Kurt Rosenwinkel
is a complete monster; there is great depth to the structure of his lines. I am deeply jealous of the skills these guys have. I will never get to their level or even close, but their phrasing and sonic choices permeate the music of Gideon King & City Blog. Of course Hendrix and guys like Peter Frampton had this aggressive attack that was so engaging. I can't not mention Bill Evans
. My brother turned me onto the album 'Alone' at a young age. Some of the most contemplative haunting music ever. The liner notes to that album are my favorite liner notes ever. When I write a tune I imagine a great player on piano doing little fills or comping in a way that might somehow reference Evans and this prospect thrills me. Set against a quasi-pop structure, these small musical digressions make things interesting for me. "
King goes on. "I also love vocalists. I am a particularly bad singer so everybody from Ray Charles
, Amy Winehouse
, Freddie Mercury, Sarah Vaughan
, Etta James
and Stevie Wonder
fascinate me. I have worked with some pretty special emerging and established singers like Grace Weber, Elliott Skinner and Marc Broussard and they all have this inclination to just get up and sing in front of people as if they were home. Very cool. Such different creatures these great vocalists are.
There are so many names to mention like Earth Wind & Fire and Neil Young
, Bob Dylan
, Dexter Gordon
, Hank Mobley
and Ralph Towner
that I don't even know where to begin or end when talking about what I listen to. I will say though that for many years of my life Steely Dan had me captivated. I loved the sharp-edged lyrics, the jazz changes and the sonic perfection pouring from their albums. My favorite band ever."
So, what was it about Steely Dan
for King? He said, "My lifelong love affair with Steely Dan began at a young age, as those cats embodied a musical blend to which I was naturally drawn. Also they didn't flood the air with excessively emotional love songs. They invented worlds based on what they saw. They had characters in their music almost like Faulker invented places and characters."
So how, I wondered, did King come to play guitar himself? He says, "I started playing guitar when I was in my very early teens. I think I turned into a fusion/crossover guy because at once I loved the lyrics of Neil Young
and hard edges of Jimi Hendrix
and I was drawn to the open and more exotic architecture of jazz harmony and improvisation. Eventually I was fortunate enough to study with some great jazz guitar players in New York. One guy in particular was Freddie Bryant
." King still takes occasional lessons from Bryant.
On performing, King began early. "My first performances" he explains, "were for my sisters when I was a teenager. Ha! Then at parties and so on. I wrote some folk songs and people listened as long as I tossed in a good cover or two. Not exactly playing the Beacon but hey I at least got to experience the thrill of playing for others. In college I played in bands and then onward from there. That was super fun although stage fright would sometimes grip me. I don't recommend stage fright as a way to spend an evening. No wonder everybody drinks too much."