All About Jazz

Home » Articles » DVD/Film Reviews

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

584

George Benson: Live at Montreux 1986

Jim Santella By

Sign in to view read count
George Benson
Live at Montreux 1986
Eagle Eye Media
2005

This concert is a lot of fun for those who want to enjoy George Benson interpreting pop and smooth jazz. He's exciting, and he really gets into his songs. Solid vocals and smooth instrumentals carry the audience through moderate romps and lush ballads that focus on the leader from every angle.

Synchronized horns, varied percussion textures, throbbing electric bass and rhythm guitar surround Benson with layers of consonant harmony and mellow rhythms. The Montreux audience loved it. One look at the instrumentation and you can see that he came to Switzerland fully loaded.

Benson sings 11 of the 15 songs and plays thrilling improvised guitar on the rest. Take your pick. He's fun to watch doing it both ways.

Dressed in black, sleeveless, with red and white ID neckwear and pendants, Benson appeals to a broad audience. He keeps the band in check, making sure that they maintain a supporting role for his starring performance. And it works. Phrasing proves seamless, balance remains spot-on, and the leader gives his audience what they came for.

Love Ballad features Benson's trademark vocal scatting with guitar. Nobody does it better. Like most jazz fans, I prefer his wordless vocals with unison guitar over his pop vocals. His "Beyond the Sea pales compared to Bobby Darin's original. Nevertheless, seeing Benson's face light up as he delivers those memorable lyrics has a powerful effect on everyone who is watching.

Jose Feliciano's "Affirmation allows the guitarist an opportunity to interpret a smooth jazz instrumental with charm. He rolls it out, steps on the gas, and delivers an emotional guitar tirade.

Benson's best instrumental comes with an up-tempo samba, "My Latin Brother, that demonstrates his fiery chops as he improvises fiercely over a spicy theme.

The leader gives his band ample solo time and announces each soloist to the audience. The camera seems to have caught everything in this program: from Benson's close-ups when it counts the most, to the little things like Vicki Randle playing the tambourine with one foot while concentrating with her other three limbs on the rest of her percussion setup to provide a suitable accompaniment.

Benson closes the program with a thrilling wordless vocal and guitar unison for "On Broadway, which takes the band out in style. He sure knows how to give his audience a night of fun.

Tracks: Feel Like Making Love; Off Broadway; Weekend in L.A.; Lady Love Me (One More Time); Love Ballad; Beyond the Sea; Affirmation; My Latin Brother; Love X Love; In Your Eyes; The Greatest Love of All; 20/20; Never Give Up on a Good Thing; Turn Your Love Around; On Broadway.

Personnel: George Benson: guitar, vocals; Vicki Randle: percussion, background vocals; Stanley Banks: electric bass; Michael O'Neil: electric guitar, background vocals; David Garfield: piano; Barnaby Finch: keyboards; Bubba Bryant: drums; Steve Tavaglione: alto saxophone, flute, piccolo; Ralph Rickert: trumpet, flugelhorn; Brandon Fields: tenor saxophone.

Program Notes: Directed by Michael Ferla; Approximate running time 87 minutes.

Tags

comments powered by Disqus

Related Articles

Read The Moody Blues: Days of Future Passed Live DVD/Film Reviews
The Moody Blues: Days of Future Passed Live
by John Kelman
Published: April 14, 2018
Read Chicago: The Terry Kath Experience DVD/Film Reviews
Chicago: The Terry Kath Experience
by Doug Collette
Published: March 10, 2018
Read The Doors: Live At The Isle of Wight Festival 1970 DVD/Film Reviews
The Doors: Live At The Isle of Wight Festival 1970
by Doug Collette
Published: February 24, 2018
Read Van Morrison In Concert DVD/Film Reviews
Van Morrison In Concert
by Doug Collette
Published: February 17, 2018
Read Django: A Film As Much About History and Culture as About A Musical Icon DVD/Film Reviews
Django: A Film As Much About History and Culture as About A...
by Victor L. Schermer
Published: February 12, 2018
Read Saxophone Colossus Featuring Sonny Rollins: A Film By Robert Mugge DVD/Film Reviews
Saxophone Colossus Featuring Sonny Rollins: A Film By...
by Doug Collette
Published: January 5, 2018
Read "The Moody Blues: Days of Future Passed Live" DVD/Film Reviews The Moody Blues: Days of Future Passed Live
by John Kelman
Published: April 14, 2018
Read "La La Land" DVD/Film Reviews La La Land
by Gareth Thomas
Published: October 17, 2017
Read "Jeff Beck: Live at the Hollywood Bowl" DVD/Film Reviews Jeff Beck: Live at the Hollywood Bowl
by Doug Collette
Published: October 7, 2017
Read "Frank Sinatra: The Royal Festival Hall (1962) | Live At Carnegie Hall" DVD/Film Reviews Frank Sinatra: The Royal Festival Hall (1962) | Live At...
by Chris M. Slawecki
Published: September 27, 2017
Read "The Doors: Live At The Isle of Wight Festival 1970" DVD/Film Reviews The Doors: Live At The Isle of Wight Festival 1970
by Doug Collette
Published: February 24, 2018