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Yellows, pinks, and oranges combined with the encroaching black of night to form a cool reminder of Ray Charles' smoldering day.
The Genius, as Charles was sometimes known, recorded his last album, Genius Loves Company, before succumbing to acute liver disease. The Concord Records release returns Charles to his musical roots of gospel, soul, blues and jazz while stripping away the calculated modern R&B veneer of his last few records. It's a fine swan song that is occasionally marred by its conceit.
Duets comprise the album. And some of them just don't work.
If Charles is the pie in the big band arrangement of James Taylor's "Sweet Potato Pie," then a befuddled Taylor must be a regular potato, because he's straight and bland. But that's better than Elton John and Michael McDonald. If their respective performances on "Sorry Seems to be the Hardest Word" and "Hey Girl" got poked with a fork, molten cheese would ooze out.
The majority of the album, however, ranges from pleasant to very good. The duet with Diana Krall on "You Don't Know Me" is fine, although it doesn't live up to the superior version on Modern Sounds in Country and Western Music that was a hit for Charles. Natalie Cole, Norah Jones, and Bonnie Raitt also provide solid, if unspectacular, turns.
The album starts to shine whenever Charles has a partner who can keep up with his unpredictable musicality. Gladys Knight on the gospel style "Heaven Help Us All" is scorching. The exacting restraint shown by Johnny Mathis on a lushly orchestrated "Over the Rainbow" meshes well with Charles' customary grittiness. Willie Nelson's storytelling doubles with the emoting Charles to effectively paint the epic "It Was A Good Year."
When Charles duets with B.B. King and Van Morrison, the results are spectacular. "Sinner's Prayer" features great vocal chemistry between Charles and King and a joyous instrumental joust between their respective piano and guitar. Billy Preston adds color to the tune by adlibbing on the Hammond B3. On the soulful "Crazy Love," Charles goes right after Morrison, who also wrote the song. Morrison is up to the challenge and he also spurs on Charles, his primary influence, with his own vocal prowess.
In the end, Genius Loves Company has done its job by placing Charles back into the public consciousness while rescuing him from his recent musical missteps. Unfortunately, too much filler has relegated the album to a modest place in Charles' jewel-filled discography.
Track Listing: 1. Here We Go Again (Steagall/Lanier) with Norah Jones
2. Sweet Potato Pie (Taylor) with James Taylor
3. You Don't Know Me (Arnold/Walker) with Diana Krall
4. Sorry Seems to be the Hardest Word (John/Taupin) with Elton John
5. Fever (Cooley/Davenport) with Natalie Cole
6. Do I Ever Cross Your Mind? (Burnette/Smotherman) with Bonnie Raitt
7. It Was A Very Good Year (Drake) with Willie Nelson
8. Hey Girl (Goffin/King) with Michael McDonald
9. Sinner's Prayer (Fulson/Glenn) with B.B. King
10. Heaven Help Us All (Miller) with Gladys Knight
11. Over the Rainbow (Arlen/Harburg) with Johnny Mathis
12. Crazy Love (Live) (Morrison) with Van Morrison
Personnel: Vocals: Ray Charles, Natalie Cole, Elton John, Norah Jones, B.B. King, Gladys Knight, Diana Krall, Johnny Mathis, Michael McDonald, Van Morrison, Willie Nelson, Bonnie Raitt, James Taylor; Guitar: B.B King, Willie Nelson, Bonnie Raitt, others; Hammond B3: Billy Preston; Keyboards: Ray Charles, others; Piano: Ray Charles, Norah Jones, others; Orchestra and choir; Arrangements: Randy Waldman, David Blumberg, Victor Vanacore, Clarence McDonald; Producers: John Burk, Terry Howard, Herbert Waltl, Phil Ramone
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.