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Gemini exudes a sense of energy and freshness. Chicago-based saxophonist Nick Bisesi has done gigs with some of the best names in the business, and his knowledge and the respect for the tradition of jazz is evident; but like many of his contemporaries, he clearly wants to chart his own path.
Bisesi's crisp and fleshy tenor sound is delineated by some interesting arrangements and compositions. Bassist Patrick Williams and drummer Eric Montzka do a fine job of navigating mixed tempos and a variety of styles. Bisesi's creative soloing counterpart is Neal Alger, who delivers some snazzy and colorful guitar work that help keep this recording interesting.
The clarity of the music is strengthened by writing that gives each musician the space to make use of their abilities. A good example is heard on "The Garden where the opening notes give way to a bass solo that leads into an Indian modal groove with each instrument, adding life to the hypnotic flow.
The compositions show the musical path that the saxophonist is traveling, stating "This music represents who I am, where I've been, and where I'm going." This is translated on the soft ballad "A Short Visit," the odd-metered funk groove of "Gorilla Cookies," and the jumping ska riff of "Secret Agent of Change all of which are thoroughly engaging and highly listenable.
Track Listing: Waltz For Gayle; Gorilla Cookies; Short Visit, A; Dominick & Joey; Secret Agent Of Change;
Undercurrents; Organic Combustion; Head In The Trees; Garden, The; I Remember You;
Personnel: Nick Bisesi: tenor saxophone, wooden flute; Neal Alger: guitar;
Patrick Williams: double bass; Eric Montzka: drums.
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.