All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Tenor saxophonist Carlo Actis Dato pokes a little good-natured fun at the father of Italy’s modern era, Guiseppe Garibaldi, via the cover art - featuring the band dressed in period garb marching to victory. On the flip side, the saxophonist steers this quintet through some of the hardest hitting modern jazz tinged rock you’ll likely hear. Perhaps Dato’s mindset was to emulate some of Italy’s fiercest military battles via music as they intertwine bubbly Mediterranean themes with wacko electric guitar lines and various, pulsating time signatures. They pronounce triumphant choruses on “Viva Zapata” amid progressive-rock musings and breezy soloing. They stomp and grind by way of pumping 4/4 beats on “Porci Padani coinciding with a few unexpected shifts in direction.
Dato and his counterpart, saxophonist Massimo Rossi, generally soar skyward throughout, and guitarist Antonio Fontana turns up the heat when the occasion arises. In addition, Fontana strums some pleasant surf guitar licks on “Dulcinea.” No doubt, this is hard hitting stuff from beginning to end. Another strong outing by one of Italy’s modern jazz visionaries who simply refuses to rest on his laurels. Recommended...
I love jazz because it mixes intellect and emotion in a very spontaneous way.
I was first exposed to jazz by liberating a Coltrane and a Pharoah Sanders record from a friend in NYC and listening to them over and over until I got it.
My advice to new listeners is you have to take the time to listen to some jazz tunes a number of times until it starts to make sense.