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The term "electronica" wasn’t in use back in the day of "Rockit," but surely the Herbie Hancock/Bill Laswell team laid a lot of the groundwork for the genre’s emergence. By now, of course, dance music and DJ culture have had a considerable impact on the jazz scene. With Future2Future, Herbie joins the fray, reuniting with Laswell to make his most powerful and relevant music in years.
You can trace this music’s creative lineage back all the way to Mwandishi. Although drum-n-bass and turntablist notions predominate, there’s a strong acoustic presence as well — far stronger than at any point during Herbie’s Future Shock period. He plays Rhodes throughout much of the album, and is joined frequently by Wayne Shorter on tenor and soprano, Charnett Moffett on bass, and Jack DeJohnette on drums. Remarkably, these leading lights of jazz share space with leading lights of electronica, such as Carl Craig, DJ Rob Swift, A Guy Called Gerald, and Imani Uzuri. Thanks to Laswell’s seamless production, it all hangs together. Two high-profile collaborations stand out: "The Essence," featuring Chaka Khan on vocals, and "Tony Williams," featuring the late drummer. (Sampled? Live, pre-1997? We’re not told in the advance press materials.)
Track Listing: 1. Wisdom 2. Kebero Part I 3. The Essence 4. This Is Rob Swift 5. Black Gravity 6. Tony Williams 7. Ionosphere 8. Alphabeta 9. Be Still 10. Virtual Hornets 11. Kebero Part II
Personnel: Herbie Hancock, all keyboards; Wayne Shorter, tenor and soprano saxophones; Bill Laswell, electric bass; Charnett Moffett, acoustic bass; Jack DeJohnette, drums (4, 8, 9, 10); Tony Williams, drums (6); Karsh Kale, drums (3, 7); guest artists: Elenni Davis-Knight, Carl Craig, GiGi, Chaka Khan, DJ Rob Swift, A Guy Called Gerald, Dana Bryant, Imani Uzuri
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...