This transatlantic collaboration features the long-established partnership of Swiss sticksman Daniel Humair and German pianist Joachim K ühn, but the presence of saxophonist Tony Malaby further establishes the latter's fast-ascending status outside of the US. The reedman isn't blowing as belligerently as usual, tempted into exposing his softer side, his warm tone denuded of its lime-scale textures.
The material is clearly composed, but in such a manner that much of the trio's interaction sounds completely improvised (there are pieces penned by each member). The language of the spontaneous is becoming so advanced (or even ingrained) that it's becoming increasingly difficult to discern the moment when one form flows into the other. The disc's opening skirmish reveals all three players in a swiftly overlapping state and then Humair takes a drum solo, followed by more trio flooding and then, in the name of symmetry, a piano solo. Humair's skins are tonally rich down at the low end, helping fill in any absence felt (imagined or not) by the absence of a bassist.
All three are constantly restless and enquiring, continually seeking satisfaction, with themes and solos smudging into each other in a blur of hyperactivity. On the title track, K ühn takes off on a crazed scamper, with Malaby entering at what turns out to be the piece's peak, acting as a closing force. Then "Ghisl ène" is a staccato head-banger, with complete equality for all three players, as they intuitively negotiate outbursts of either dominance or passivity, switching roles in an instant, energized, but also moving through a varied range of dynamic stages.
Track Listing: Buried Head; Jim Dine; Full Contact; Oasis; Ghislène; Salina; Effervescent Springbox; Sleeping Angels.
Personnel: Daniel Humair: drums; Joachim Kühn: piano; Tony Malaby: saxophones.
There is a freedom and a sense of exhilaration in Jazz that is not found in any other music. Jazz is about finding freedom and a personal voice within a structure, and that is what
appeals to me most. I had a late start in jazz.
I was first exposed to jazz without any formal training by watching videos of Bill Evans, Chick Corea and Thelonious Monk in my 20's.
Later, I met Ahmad Jamal, Kenny Werner, Chick Corea, Martial Solal, Bernard Maury, Fred Hersh, Barry Harris, among many other musicians over the years.
The first jazz record I
bought was Keith Jarrett, The Melody at Night, with You and it is still one of the solo piano masterpiece in my view.
My advice to new listeners... Just enjoy it!
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