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On occasion, the String Trio of New York (guitarist James Emery, bassist John Lindberg, and violinist Rob Thomas) has worked with special guests, including pianist Anthony Davis and vocalist Jay Clayton. Frozen Ropes, with altoist Oliver Lake, is a worthy and concise addition to the group's catalog.
These five selections total just over 46 minutes. The first two tracks, both extended pieces, are the strongest. "Shiffs, penned by Lake, opens with composed rubato dissonance and progresses through a thicket of solo and collective free improvisation. Lindberg's title track begins with bass and violin bowing frenetically for three minutes in an ominous allegro feel. Lindberg transitions to pizzicato for the main body of the tune, a swinging theme capped by a memorable staccato hook. Here and throughout the disc, the STNY, with its inimitable acoustic sound, proves a good match for Lakewhose barking, angular horn is balanced by Emery's dry, unamplified guitar.
Lake's ballad "Reminds Me is the most conventional piece and the most lyrical alto sax showcase. Emery coaxes stately jazz harmonies from his strings and Thomas weighs in with a cogent solo as well. The departure from this to Emery's "Texas Koto Blues is striking; the composer plays bluesy slide on soprano guitar as Lindberg chugs away in 12/8 and Lake wails. At four minutes the groove stops and the band floats. Bowed strings and glistening soprano guitar evoke a sylvan setting; then Lake returns to punctuate a final melodic passage. What begins as a novelty ends up as anything but. Unfortunately, the band misfires with the closing "Lonnie's Lament, by Coltrane. This is a melody that suffers when shrieked. Trane's mood of cavelight contemplation is absent.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.