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With his forward-looking quintet, Ravi Coltrane explores acoustic jazz that is rich in overtones, characterized by lush harmony and centered on lyricism. Trumpeter Ralph Alessi shares the front line position alongside Coltrane; half the numbers are their originals. Favoring a Third Stream approach over swingers or fiery emotion, the quintet mellows some in both scope and intensity.
Wayne Shorter’s “Blues à la Carte” puts the ensemble in a festive samba mood as trumpet, tenor saxophone and pianist Geri Allen all step forward with exotic solo stretches. Ornette Coleman’s “The Blessing” offers the best opportunity for the unit to catch fire, but Coltrane intentionally restrains the ensemble. Leading with the skills of a master technician, he moves through seamless, fluid phrases designed to emphasize the ease with which these five artists can relate. Smooth and legato, the ensemble works in clear circles through controlled emotion. Coltrane has rounded off the corners smoothed over any rough edges to his latest project. The result is a session that captures only one aspect of jazz’s modern mainstream: that which is based on familiar harmonies and friendly timbral blends.
Track Listing: Social Drones; The Chartreuse Mean; Word Order; Blues
Personnel: Ravi Coltrane- tenor saxophone, soprano saxophone; Ralph Alessi- trumpet, flugelhorn; Geri Allen- piano; James Genus- bass; Eric Harland- drums; Andy Milne- piano on
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.