All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Multi-instrumentalist Neil Pyzer’s From the Bush to the Pridelands is an eclectic, multi-faceted outing which truly charts its own course. The program of all original compositions draws influences from Indian music (most prominently), contemporary jazz, new age, and numerous “world music” genres. Each piece has its own set of sonic textures, but common threads that run throughout the program are Pyzer’s snaking, inquisitive soprano sax, background synth washes, and an infectious percussion groove. On some songs, counterpoint to the soprano sax lead is provided by Kamelesh Patel’s sitar or Beverley Skeete’s wordless, sometimes nasally/growly vocals. “Pedro” features lyrics written by Skeete.
It’s really a very interesting listening experience. Pyzer has succeeded in creating his own unique fusion of musical styles from around the world, especially India. It’s cleanly and expertly performed by an ensemble that comprehends Pyzer’s musical vision. From a jazz perspective, you won’t hear anything resembling swing, bebop, blues, or any of the other ingredients that typify the genre, but Pyzer’s constantly probing and improvising sax lines are clearly informed by the jazz tradition.
Track Listing: Deep Dharshan; Sly; Kheera; Muhkti Quartet; Pedro; Into the Unknown; Mehell; Luan Luan; Mannolla; Ganges; Chakra Alap.
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...