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This disc was recorded in a hurry. Wolfgang Hirschmann, the legendary recording engineer of the WDR Big Band in Cologne, expressed a wish to record the Jeff Hamilton Trio before his imminent retirement. This meant the group had about two months to come up with a final set list and arrangements in the midst of a packed gigging schedulea challenge these three pros brilliantly met, as the recording demonstrates. And it was clearly worth the rush, since the recording has a wonderfully warm and balanced feel.
It's difficult to identify the high points on this consistently excellent disc, but personal favorites include Luty's witty, bass-centered arrangement of "I've Never Been in Love Before" and Hendelman's classy take on "A Felicidade"the most elegant I've ever heard, as well as a showcase for Hamilton's celebrated hand drumming technique. "Too Close for Comfort" is an irresistible, flat-out burner, and Luty's eloquent bowing sings the luscious melody of "So Many Stars." The group has fun with "Epistrophy," which features a solo by Hamilton and some of the pitch-bending he's famous for, allowing his drum to transcend percussion and become a melodic instrument (see also "Lullaby of the Leaves").
Add some fresh arrangements of old standards like "Moonglow" and "Autumn Nocturne," wrap things up with a swinging original (Hamilton's rousing "2nd Street Samba"), and you have a thoroughly pleasing package, varied and tasteful and expertly played. Trio jazz just doesn't get any better than this.
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...