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Tenor saxophonist Pete Mills doesn't chart new musical frontiers on this 2007 release. On the contrary, he just gets it done the good old fashion way via lots of gusto, oomph and up-tempo grooves, performed with his estimable band-mates. Mills regenerates the jazz organ combo vibe here, complete with soul/funk, swing and meaty underpinnings provided by the rock solid and fluidly moving rhythmic unit.
With Hammond B-3 ace Tony Monaco and guitarist Pete McCann onboard, the musical climate here is loaded with zestful motifs amid the soloists alternating exchanges. On "Eddie, Monaco embarks upon a vengeful tear by slamming his organ into overdrive. And in other spots, the musicians comp, dart and weaver around each other's often-torrid dialogues that tend to project a multi-layered and harmonious group-centric vibe.
"Crooked Cheese is a quirky funk romp, where Mills' edgy sax lines nicely contrast Monaco's silvery chord progressions. Nonetheless, the musicians mix it all up rather vibrantly. No doubt, a good time was had by all. And check out Mills' warmly penetrating choruses on the quiet duet with McCann on Billy Strayhorn's "A Flower is a Lovesome Thing.
In sum, the ensemble merges the best of many conceivable worlds. Chops-heavy, yet compositionally sound and focused, the artists' jovial camaraderie transcends the norm. Brimming with the essence of good cheer, Mills and crew communicate a distinct sense of musical merriment during the entirety of this impacting and irrefutably entertaining jaunt.
Track Listing: Straight Up; Eddie; Fossil; Too Close to Call; Schlooze; Diggin' on Dexter; Crooked Cheese; Talkin' with the Tubs; Winter Rain; For a Beginning; A Flower is a Lovesome Thing.
Personnel: Pete Mills: tenor sax; Tony Monaco: Hammond B-3 organ; Pete McCann: guitar; Jim Rupp: drums; Andy Woodson: bass.
I was first exposed to jazz through my father who played professionally and nurtured me into music at a young age and had me playing guitar with his quartet in my early teens.
I switched to piano in my mid teens, and with a strong ear for music, managed to put myself through college playing and singing Jazz / Pop / Standards in the late '70s and early '80s in the Dallas, Texas area both as a solo performer as well as with groups.
I have built and operated a number of recording studios and enjoy writing, recording, producing, and performing live.
I also typically cover guitar and bass for my own projects.