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The name Akira Miyazawa, rarely if ever, appears in jazz reference books, at least not in ones available in North America. Other than some sites selling his CDs, the internet does not offer much about the saxophonist. This is a shame since his recordings tell the story of an accomplished musician whose work has remained intriguing and fresh after almost four decades. Four Units is a reissue of a 1969 session that teams him with a Japanese rhythm sections for four originals and a jazzy reworking of "Scarborough Fair." The music threads the outer reaches of hard bop, adjacent to but not quite into the avant-garde realm. It also has a very Oriental feel to it, with the beautiful serenity of a Japanese Zen garden and the bluesy edge of a late night jam session.
The opening title track is the most adventurous. After Miyazawa's tenor sax states the angular but still melodious theme, the rhythm section improvises together and solos in tandem, using notes sparingly and the space between them very effectively. The other pieces also are edgy hard bop in style, with some adventurous soloing by Miyazawa on tenor and flute, along with the other members of the group. The closer, "Black Bass," is the closest to traditional hard bop.
Miyazawa sounds like Sonny Rollins on tenor but with slightly less bite in his tone. He only plays a little flute which, however, is not that memorable. Pianist Masahiko Satoh, who also arranged "Scarborough Fair," demonstrates strong classical sensibilities. Bassist Yasuo Arakawa and drummer Masahiko Togashi - who sounds a bit like Elvin Jones - have a unique rapport with each other when playing behind Miyazawa and Satoh in addition to being accomplished soloists in their own right.
The CD is exquisitely remastered and the artwork, with liner notes only in Japanese, is very elegantly designed. Four Units reveals a unique and talented musician whose work deserves better and more widespread recognition.
Track Listing: Four Units; Idle Slumber; Scarborough Fair; Rainbow Trout; Black Bass.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.