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This duo from Maine casts a post-psychedelic, homespun folk vibe with a few subtle twists, signaling a nouveau spin on bands such as '70s British folk denizen Pentangle, and a classic Haight-Ashbury trippy street fair. Featuring sustainable and impressive compositions, Shanti Curran's virtuous vocals impart a spell of transcendental wonderment, sprinkled with dreamy atmospherics.
This acoustic-electric set is devised with hauntingly melodic themes that sometimes drift into an interminable abyss. The creative touch of studio-induced echo adds capacious characteristics to the program amid some offbeat treatments, contrasting the mystical aura often underscored with Americana and hush-toned spoken word segments. Shanti Curran and her husband Buck employ banjo, guitars, harmonium and even an Ebow banjo into the mix, and the album is indicative of the ESP Disk label's occasional detour off the free-jazz realm, spanning its inception as a renegade entity for over fifty years.
"Daughters of Man" is a counterbalancing act, consisting of Shanti Curran's wordless vocals and gently strumming acoustic guitar work, offset by Buck Curran's psyched-out, streaming electric guitar lines. The artists generate a broad plane here and on other tracks, where notions of surrealistic folk come into play. However, "When I Was on Horseback" is a piece that subtly morphs English folk with American country-folk and a wistful hook, tinted with searching attributes. Here, images of rural greenery via undulating hills are evoked, with Shanti Curran shaping an ode to a stallion that will also carry her coffin, as the lyrics disclose.
Modest by design, it's an enchanting event that propagates a heavenly muse, while offering escapism for the restless mind.
Track Listing: Pale Horse Phantasm; Daughters of Man; After the Flood Only Love
Remains; Ghost; Rider; When I Was on Horseback; Rua das Aldas; Cherry
Tree Carol; Three unlisted bonus track alternate mixes.
Personnel: Shanti Curran: vocals, banjo, guitar, harmonium, ukulele, hammered
dulcimer; Buck Curran: vocals, acoustic and electric guitars, flute,
Ebow banjo; Anders Griffen: drums (1); Greg Boardman: upright bass
(2,5), viola (8); Michael Krapovicky: electric bass (3).
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.