For its second outing, the Jim Cutler Quartet delivers twelve tracks, of which all but one are original compositions—mostly from Cutler, with two from pianist Brian Olendorf and one from bassist Philip Demaree. The personnel for this Seattle-area group is the same as on its 2002 debut, JCQ.
The music presented on For Real is straight down the middle of the fairway. Cutler is a good melody player and his tenor styling is lyrically in the Scott Hamilton mode. The solo time taken by Cutler and largely Olendorf is relatively brief, but there is plenty of time to appreciate their talent on this 68 minute album. Cutler appears most often on tenor sax and does get a soprano reading on "Last Boat to Freedom." The two ballads, "The Schweetie" and "Twilight Dawned," are attractive, as is the mid-tempo groove "Another New Beginning." "Mookie's Secret Revenge" is a funky "Song For My Father"-type riff.
So why is it that the one standard, "You Go To My Head," is the best tune on the album? There is nothing wrong with the eleven originals here, but, for variety's sake, another pair of familiar tunes or jazz standards would have been welcome and would have lifted this session up another notch. This combo plays well, and I have no doubts that it could appeal to a wider national audience.
Track Listing: Second and Blanchard, For Real, Another New Beginning, Last Boat to Freedom, The Schweetie, Norma Jeanne, You Go To My Head, Mookie's Secret Revenge, Alan Weight Speaking, Twilight Dawned, Thumper, Get in the Game.
Personnel: Jim Cutler, saxophones; Brian Olendorf, piano; Philip Demaree, bass; Chris Monroe, drums.
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz.
Being a Musician myself, (Lead Guitar/Bass Guitar), I studied at the Dick Grove School of Music with Dick Grove, Jeff Richman and Lee Ritenour. This was around '84-'85. I started playing the Guitar in November 1967. Playing Guitar came quite naturally to me thank goodness. Though I spent hours upon hours practicing while my school buddies were doing Sports.
It was in the early '70s that I really got into Jazz, Jazz Rock, Jazz Fusion and World Music. Seeing Weather Report, Miles Davis, Wayne Shorter, Larry Carlton, Steely Dan, John McLaughlin and the Mahavishnu Orchestra, RTF, Herbie Hancock and the Headhunters, VSOP, Freddie Hubbard and so many, many more amazing artists opened my eyes to the beauty and eloquent nature of Jazz. I really love the brilliant ensemble playing that is in Jazz!!
When I play and write music, it blends so many style together. Many fans ask me why my playing sounds so jazzy. It's because I understand Blue Notes, the phrasing, the tonality, time signatures and more. I can also play Rock, Folk, Soul, R n' B and other styles too. I seem to gravitate more and more as I get older to a jazzier style. Currently I'm 62 years old. I have released 2 CDs world-wide. Working on my 3rd.
I also teach Guitar/Bass/Music Theory to my students. They range from 6 years old to much, much older. (I was hired by the City of Aurora, CO to teach ages 6-13 specifically). Currently I teach 41 children in 5 classes. Additionally another 7 private students.
My wife, Meesh, and I love Jazz dearly. It was one of the things that we share together!
Most of the people that I know today do not get jazz. I try to explain what to listen for, but many times the music of Jazz is a bit much for them. So be it.
In a nutshell, I live, breath and listen to Music 24/7. No TV except the Food Channel and Weather.
I love John Kelman's articles. They are so insightful and well-constructed!
Thank you all for doing what you do.