For two decades, until his retirement in 1993, trumpeter Vaughn Nark was the mainspring of one of the world’s leading contemporary Jazz ensembles, the U.S. Air Force Airmen of Note. His many contributions as the band’s lead and Jazz trumpeter were so impressive that Nark was presented, by Presidential order, the Meritorious Service Medal in appreciation for his services. To hear why Nark deserved a medal, one has only to listen for a moment or so to Flying High, an overview of his invariably breathtaking and often near–incredible trumpet work with the AON. For comparison’s sake, picture Maynard Ferguson in Air Force blue. While Nark recorded with his military bandmates on a number of occasions, this is the first time that selections from several of those recordings have been assembled in one convenient place, on a single compact disc. To say that Nark is in superior form would be to belabor the obvious, as there has never been a time when he wasn’t. He can make a trumpet sing, dance, jump through hoops or perform any other task he commands. He’s in good company too, as the Airmen are more than equal to any challenge. The supporting cast includes such luminaries as trumpeters Ken Smukal, Rich Haering, Bruce Gates, Rich Sigler and Jeff Holmes; trombonists Dave Steinmeyer, Rick Lillard and Dudley Hinote; saxophonists Joe Eckert, Pete BarenBregge, Don New, Andy Axelrad, Tim Eyermann and Saul Miller; pianist Mike Rubin, guitarist Rick Whitehead, bassist Tom Williams and drummer Claude Askew. There are two vocals, by Bobbie McCleary (“Red Clay”) and Nark himself (“My Funny Valentine”). The band’s proficiency is matched by the dazzling charts, eight of which were written by Mike Crotty, the AON’s chief arranger for 26 years whom Mark Channon describes in the liner notes as “a musical genius,” an appraisal that will elicit no complaint from me. Nark wastes no time reaching the stratosphere, literally Flying High on Dizzy Gillespie’s fast–moving samba, “Lorraine.” Much as I admire — and am continually dumbfounded by — Nark’s astonishing high–note trumpet, I love his voluptuous flugel (“Brigitte,” “It Could Happen to You”) even more. But I must avow that no one aside from the indomitable MF himself has ever hit such notes as cleanly and consistently as Nark. He’s a remarkably inventive Jazz soloist too; listen, for example, to “Brigitte,” Harold Danko’s “Tidal Breeze” or Burke/Van Heusen’s “It Could Happen” and be convinced. The rest of the program is equally enchanting, from Crotty’s scorching arrangement of Irving Berlin’s “White Christmas” to Dizzy’s “Con Alma” (with strings), Ray Noble’s fleet–footed Jazz standard “Cherokee” (with a skyscraping opening passage by Nark) and Crotty’s original compositions, “Night Clouds” and “Centri–Fusion.” There’s not much here that doesn’t lend itself to a “best of” scrapbook, but we can’t freely recommend the album to trumpet players, as it may cause them to consider swapping their horns for a career in banking or real estate.
Track listing: Lorraine; Tidal Breeze; Brigitte; Red Clay; White Christmas; Con Alma; Night Clouds; Centri–Fusion; It Could Happen to You; Cherokee; My Funny Valentine (64:24).
Track Listing: Lorraine; Tidal Breeze; Brigitte; Red Clay; White Christmas; Con Alma; Night Clouds; Centri-Fusion; It Could Happen To You; Cherokee; My Funny Valentine.Collective
Personnel: Vaughn Nark- trumpet, flugelhorn, vocal on "My Funny Valentine"; Ken Smukal, Jimmy Lay, Rich Haering, Bruce Gates, Larry Trautman, Rich Sigler- trumpet; Dave Steinmeyer, Rick Lillard, Joe Jackson, Gary Hall, Paul Rawlins, Dudley Hinote, Doug Elliot, Dave Morgan- trombone; Joe Eckert, Lee Lachman, Gene Gaydos, Pete BarenBregge, Don New, Andy Axelrad, Doug Gately, Tim Eyermann, Saul Miller, Tom Luer- saxophone; Mike Rubin, Sydney Lehman- piano; Tom Williams, Paul Henry, Karl Heikkinen- bass; Claude Askew, George Honfa- drums; Pat Shrieves- percussion; Johnny Woody, Dan Culpepper, Winston DeShields, Paul Fisher- French horn; Bobbie McCleary- vocals; Bill Slusser, David Swanson, James Queen, Robert Waugh, Tim Kidder, Jane Bockenek, Mark Helm, Dustin Saam, Octavian Slima, Ruth Truncale- violin; Don Harrington, Paul Swantek, Sharon Bingham, Victoria Pride, Judith Thompson- viola; Laura Riley, Chris Moehlenkamp- cello; Rick Whitehead, Wayne Wilkinsen- guitar.
Additional Personnel For "My Funny Valentine":Jeff Holmes, Kevin Sharp, Sonny Hill- trumpet; Ron Wilkins, Stephen Hoy- trombone; Charlie Wicker, Larry Panella, Dave Battaglia- saxophone; Joe Cartwright- piano; Steve Rigazzi- bass; Randy Drake- drums; Bud Berthold- percussion.
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St. Needless to say, Jazz and Blues were always on the stereo in our home. I was steeped in these exciting sounds, and they make up some of my earliest memories.