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Instrumental jazz duet recordings that are not piano-based are a rarity; one that comes to mind is guitarist Jim Hall and bassist Ron Carter's Alone Together (Milestone, 1972). But a disc made up of exclusively flute "conversations" with other less commonly used instruments (at least in this setting) is almost unheard of. Swedish flutist Urban Hansson pulls off this daunting task with some degree of success on Flute Fascination, as he utilizes different partners on each track, ranging from a pianist (who also plays harmonica) to a bass saxophonist.
That Hansson has mastered the art and skill of not only playing but improvising on the flute is unquestionable. But after a few bars and interchanges, the tunes feel more like academic exercise than artistic expression, especially during songs that feature two flutes, and the last track, with solo flute backed by propeller sounding electronics. Almost all the pieces drag on a tad too long, which is not to say they lack creativity, but that their cerebral, almost mathematical quality, overwhelms the emotional content of the music.
The songs are a mix of standards and Hansson compositions. The music is in the post bop vein with some flirtations in free improvisation, with a uniformity of theme and quality throughout. The side musicians are well-matched with Hansson, but those that really standout are bass saxophonist Jonas Kullhammar and bassist Lars Ekström.
On the dual flute tracks, Hansson is the dominant voice, with his deeper, breathy sound and unique playing. He also takes the spotlight when playing with organist Pierre Swärd and drummer Uffe Flin,k who uses brushes on a box, yet Hansson plays more as an equal with the two guitaristsJonny Johansson and Andreas Oberg.
This interesting CD by a master jazz flutist is a one-of-a-kind work; although highly creative, it unfortunately plays more like a textbook for students of the instrument rather than a musical opus that would appeal to a larger audience.
Track Listing: All Blues; I Got It Bad; Winds Over Tannisby; All Of Me; All The Things
You Are; Monk Delight; Sweet And Lovely; Take The A-train; Body And
Soul; Flute Fascination.
Personnel: Urban Hansson: flute; Jerker Halldén: flute (5); Staffan Hallgren: flute (7); Mats Öberg: piano and harmonica (1); Pierre Swärd: Hammond B3 organ (2); Jonny Johansson: 9-string guitar (3); Andreas Öberg: guitar (4); Lars Ekström: bass (6); Uffe Flink: brushes (8); Jonas Kullhammar: bass saxophone (9).
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.