Charmaine Clamor spins a web of magic every time she sings. Her expressive voice lets the words breathe and throb as she captures the essence of the lyrics and brings them to life. It matters little whether she is singing jazz, blues, pop, or songs from her native Philippines, she takes each one and makes them her own.
Jazz is central to the theme of Flippin' Out. Her rendition of "I Hadn't Anyone 'Til You" is just stunning. She sets the mood impeccably, drawing from the well of emotion to build a remarkable song of love. Julius Tolentino on alto sax adds to the impact with his warm breathy tone, a charming turn of phrase coming in on a quote of "Mona Lisa."
Clamor sings in Tagalog and Bisayan, two Filipino languages, on the five-song "Filipino Suite," which opens with the medley, "Panahon Na/Hindi Kita Malimot." The first is a lively chant dancing on the kulintang (a row of drums and gongs), with Clamor singing breezily. The mood changes as she slips into "Hindi Kita Malimot," a torch song lit by her husky voice. The approach has mellowed but the deep grain of feeling is constantly present. The frame is perfect for Clamor, and she continues to kindle the flame on "Usahay" and "Minamahal Kita," two radiant ballads. The suite closes with the lilting "Dahil Sa'Yo. Clamor is in her nook, extending the range of her voice and finding fine support from Tolentino. But the most telling mark is the way in which she brings in jazz harmony with her phrasing and through the arrangements.
The band is stripped down to a trio, with Christian Jacob adding some deep blues runs on the piano as Clamor's huskiness stirs the heat on "Sugar in My Bowl. She coos, cajoles, taunts, tempts, and is delightfully salacious.
Clamor is one of the finest singers to come around in a long time.
Track Listing: My Funny Brown Pinay; I Hadn't Anyone 'Til You; Candy; With or Without You; Sugar in My Bowl; Filipino Suite: Panahon Na/Hindi Kita Malimot, Usahay, Minamahal Kita, Sa Ugoy Ng Duyan, Dahil Sa'Yo; I Need a Lot of Love; Be My Love.
Personnel: Charmaine Clamor: vocals; Christian Jacob: piano; Trey Henry: bass; Ray Brinker: drums; Julius Tolentino: alto sax; Abe Lagrimas, Jr.: ukulele; Gustavo Garcia: percussion; Richard Ickard: guitar; Zaxariades: guitar, percussion, vocals; Pakaraguian Kulintang Ensemble: kulintang.
Rhythm Abstraction: Azure is the first volume of new compositions created as a follow up to 2018’s
release Rhythm Kaleidoscope. As with that release, Brock Avery improvised drum and percussion
solos. Frank Macchia then composed music for woodwinds and orchestra to Brock’s creations. Azure
is the first of three extended play albums of 6-7 compositions which will be released starting in
January and followed up in April and July. In Azure we have a created a group of pieces that continue
our quest for honoring the art of improvisation with a “stream-of-consciousness” sense of
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