Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

203

Sayuri Goto: Flashback

Elliott Simon By

Sign in to view read count
No other three instruments taken together can display the versatility and virtuosity of a jazz piano trio. For her debut as a leader, Sayuri Goto has added her own unique take on this format with Flashback, a session that evokes the masters while validating a beautiful new stylist. Goto has most recently been a New York City staple in trombonist Benny Powell's quintet and George Gee's big band. Co-producer Powell's musical lineage traces directly back to Basie, and Flashback's right-on inclusion of compositions that are associated with Basie, Monk, Dizzy, and pianist Randy Weston (alongside Goto's own elegantly emotive pieces) makes for a highly listenable package.

A newly composed intro to Weston's classic "Little Niles sets the stage perfectly for the piece's delightful minor passages, and her version of his "Berkshire Blues is a deliciously slow-moving setting for Goto and her bandmates to stretch out. Bassist Nat Reeves and drummer Gene Jackson work exceedingly well with Goto's crisp, accurate style on rhythmically unpredictable tunes like Monk's "Well You Needn't and the quick-paced Basie standard "Midgets. The rhythm section induces a broad Latin feel for Dizzy's "Manteca that has Goto breaking out some first-class bop and lays back just enough for an in-the-pocket version of "Silk Stockings.

While Goto's clean precise touch makes her a wonderful new voice in the bop tradition, her originals display a melodically strong composer. The session's title piece, presented in both gorgeous solo piano and powerful trio formats, is top notch lyrical jazz whose catchy melody could be a pop crossover with the right vocals. Likewise, the lovely expressive melodies of "Akiha and "Night Never End invite vocal interpretation, while "I Miss You effortlessly blends a hint of Japanese folk with straight-ahead jazz. With her mature melodic sense, Goto has produced an exceptionally strong first effort.


Track Listing: Little Niles; Well You Needn't; Akiha; Midgets; Flashback; Shiny Stockings; Night, Never End; Manteca; Berkshire Blues; I Miss You; Flashback (reprise).

Personnel: Sayuri Goto: piano; Nat Reeves: bass; Gene Jackson: drums.

Title: Flashback | Year Released: 2005 | Record Label: Fever Pitch Records

Tags

comments powered by Disqus

Shop

Start your shopping here and you'll support All About Jazz in the process. Learn how.

Related Articles

Read Kresten Osgood Quintet Plays Jazz Album Reviews
Kresten Osgood Quintet Plays Jazz
By Dan McClenaghan
January 21, 2019
Read The Poetry of Jazz Volume Two Album Reviews
The Poetry of Jazz Volume Two
By Victor L. Schermer
January 21, 2019
Read Mesophase Album Reviews
Mesophase
By Glenn Astarita
January 21, 2019
Read Rasif Album Reviews
Rasif
By Chris M. Slawecki
January 21, 2019
Read Live at the Black Musicians' Conference, 1981 Album Reviews
Live at the Black Musicians' Conference, 1981
By John Sharpe
January 20, 2019
Read More Than One Thing Album Reviews
More Than One Thing
By Gareth Thompson
January 20, 2019
Read Wandering Monster Album Reviews
Wandering Monster
By Roger Farbey
January 20, 2019